Relix

<p>This curated auction features a trove of vintage and rare Grateful Dead concert posters, spanning the band’s storied career. Highlights include Fillmore originals, European tour prints, Mardi Gras celebrations, Egypt 1978, and more. Many pieces are first printings, artist-signed, or sourced from historic venues that helped shape the Dead’s legacy.</p><p><span>Whether you're a lifelong collector or just discovering the psychedelic visual world of the Dead, this archive offers a unique window into the art, culture, and movement that followed the band for decades.</span></p><p><span>Bid now and own a piece of Grateful Dead history.</span></p><p><i><b>Free shipping within the United States. International shipping is available at an additional cost.</b></i></p><p></p>


<p>Art by Alton Kelley</p><p>Original print, Excellent Condition (light corner and edge wear)</p><p>Size: 30" Wide x 20" Tall</p><div>This VERY RARE stunning original 1978 European Tour poster, designed by legendary psychedelic artist Alton Kelley, commemorates one of the most iconic moments in Grateful Dead history—their groundbreaking performances at the Great Pyramids of Giza in Egypt.</div><div><br></div><div>Kelley’s artwork captures the mysticism and grandeur of the occasion, blending ancient symbolism with the Dead’s cosmic aesthetic. With bold colors and rich detail, the poster reflects both the cultural significance and psychedelic wonder of the band’s Egyptian adventure.</div><div><br></div><div>Preserved in excellent condition, with light corner and edge wear, this is a rare and highly sought-after collectible from a milestone event that cemented the Dead’s global legend.</div><div><br></div><div>Own a piece of history from the band’s most mythical tour—a sacred relic for any serious Deadhead or poster collector.</div><div><br><b>Free shipping within the United States. International shipping is available at an additional cost. If you would like more information, please email marketplace@relix.com.&nbsp;</b></div><p></p>


European Tour 1978 Poster (Egypt '78)

<p>Art by Dennis Larkins (signed)</p><p>Original print, Excellent Condition (Light edge and corner wear &amp; softening)</p><p>30" Wide x 20" Tall</p><div>This VERY RARE original 1980 Radio City Music Hall poster, designed and hand-signed by acclaimed artist Dennis Larkins, commemorates the Grateful Dead’s legendary acoustic and electric performances during their eight-night residency in New York City. These October shows, paired with a run at the Warfield in San Francisco, formed the basis of the beloved Reckoning and Dead Set live albums.</div><div><span>Larkin’s surreal, dimensional artwork captures the grandeur of Radio City through a psychedelic lens, making this poster one of the most visually striking in the Dead’s concert history.</span></div><div><span>Preserved in excellent condition, with light edge and corner wear &amp; softening, and signed by the artist, this piece is a museum-worthy collectible from a pivotal era in the band’s evolution.</span></div><div><span>A must-have for any serious Deadhead or poster collector, commemorating the moment the Dead went unplugged in one of America’s most iconic venues.</span></div><div><b>Free shipping within the United States. International shipping is available at an additional cost. If you would like more information, please email marketplace@relix.com.&nbsp;</b></div><p></p>


Radio City Music Hall Poster (October 1980)

<p>Art by Wes Wilson</p><p>2nd printing • Conservation backed with archival paper • Excellent condition (Minor edge wear and light handling marks near corners)</p><p>14″ Wide x 22″ Tall</p><p>This stunning poster from Bill Graham’s legendary Fillmore series captures the Grateful Dead’s headlining run in December 1966. Designed by iconic psychedelic artist Wes Wilson, the bold lettering and surrealist imagery reflect the explosive creativity of San Francisco’s counterculture scene.</p><p><span>Printed as a 2nd edition and professionally conservation-backed on archival paper, this piece is in excellent condition, with minor edge wear and light handling marks near corners, a true collector’s gem.</span></p><p>BG 41 is an essential entry in the early Grateful Dead poster canon and an excellent representation of late-1966 Fillmore design sensibilities. This copy’s condition and conservation work make it a top-tier example.</p><p><b>Free shipping within the United States. International shipping is available at an additional cost. If you would like more information, please email marketplace@relix.com.&nbsp;</b></p><p></p>


BG 41 – Grateful Dead & Big Mama Thornton, Fillmore Auditorium (December 9-11, 1966)

<p>Own a piece of music history with this rare Grateful Dead Soldier Field Ticket &amp; Backstage Pass Set from the band’s final performances with Jerry Garcia. This EXTREMELY LIMITED 4-piece set includes one ticket and one backstage pass for each night, July 8 and 9, 1995, when the Dead took the stage at Soldier Field in Chicago for what would become Jerry Garcia's final performances and the last Grateful Dead shows.</p><div><span>Opening with The Band, these emotionally charged shows marked the end of an era. Jerry Garcia’s passing one month later, on August 9, 1995, cast these nights in a new light, transforming them from tour stops into a sacred farewell for Deadheads around the world. The Grateful Dead would not perform under that name again until the 2015 “Fare Thee Well” shows, a full 20 years later.</span></div><div><span>The set is preserved in mint condition, with all four items housed in archival-grade sleeves for long-term protection. The unused backstage passes feature vibrant graphics from the era, and the unused tickets remain as issued, never torn, never scanned.</span></div><div><span>This set offers an unparalleled opportunity to own a tangible memory from the Dead’s storied journey. A must-have for fans, archivists, and music historians alike.</span></div><p></p>


Final Show Ticket & Backstage Pass Set (Soldier Field, Chicago, IL – July 8–9, 1995)

<p><b>Artist - Richard Biffle</b></p><p><b>Details &amp; Condition - Original print, Signed by Full Band, Mint Condition</b></p><p><b>Size - 12" Wide x 18" Tall</b></p><div>This original 2004 “Wave That Flag” Summer Tour poster, designed by renowned Grateful Dead artist Richard Biffle, celebrates The Dead’s triumphant return to the road. Featuring Bob Weir, Phil Lesh, Mickey Hart, and Bill Kreutzmann, joined by Warren Haynes, Jeff Chimenti, and Jimmy Herring, this tour brought the spirit of the Dead into a new era.</div><div><span>Vibrant and richly detailed, Biffle’s artwork captures the energy and symbolism of the Grateful Dead’s enduring legacy. What makes this piece truly exceptional is that it’s signed by the full band, making it a rare and valuable collector’s item.</span></div><div><span>Preserved in mint condition, this poster is a standout tribute to the post-Jerry era and a must-have for any serious Deadhead or rock memorabilia collector.</span></div><div><span>Wave that flag—and own a piece of modern Dead history.</span></div><div><b>Free shipping within the United States. International shipping is available at an additional cost. If you would like more information, please email marketplace@relix.com.&nbsp;</b></div><p></p>


The Dead – “Wave That Flag” Summer Tour 2004 Poster (Signed by Full Band)

<p><span>Art by Sun Graphics</span></p><p><span>Original Print, Rare Survivor, Excellent condition (light corner wear)</span></p><p>13 3/8” Wide x 20½” Tall</p><p>This VERY RARE original poster commemorates the Grateful Dead’s historic 1986 performance at Boreal Ridge Ski Resort in Northern California, a high-altitude, summertime show remembered for its remote mountain setting and electric energy. Designed by Sun Graphics, the poster blends bold typography with vibrant imagery evocative of the Dead’s mountain-vibe mystique.</p><p>Preserved in excellent condition with light corner wear, this original print is a true survivor; few were produced, and even fewer remain intact nearly four decades later. A must-have piece for any serious Deadhead or collector of 1980s-era concert memorabilia.</p><p>Add a rare and atmospheric artifact to your collection from a lesser-known but legendary moment in Grateful Dead history.</p><div><b>Free shipping within the United States. International shipping is available at an additional cost. If you would like more information, please email marketplace@relix.com.&nbsp;</b></div><p></p>


Boreal Ridge ’86 Poster

<p><b>Details &amp; Condition: Original Print, Near Mint Condition</b></p><p><b>Size - 8.5" Wide x 12" Tall</b></p><div>This original Grateful Dead concert program from 1983/84 offers a snapshot of the band during a high-energy era marked by evolving setlists, new material, and renewed creative momentum. Produced for their national tour, the program features band photos, artwork, and era-specific commentary that reflects the Dead’s unique blend of improvisation, culture, and community.</div><div><span>Printed on glossy stock and preserved in near mint condition, this piece captures the vibe of early-'80s Dead, when Brent Mydland’s keyboards were in full swing and the band was delivering fiery performances coast to coast.</span></div><div><span>A rare collectible that bridges the late ’70s and late ’80s Dead eras, perfect for fans and collectors seeking original ephemera from the band’s storied touring history.</span></div><div><b>Free shipping within the United States. International shipping is available at an additional cost. If you would like more information, please email marketplace@relix.com.&nbsp;</b></div><p></p>


1983/1984 Concert Program

<p>Artist - G. L. McElhaney</p><p>Details &amp; Condition - Unauthorized 2nd Printing, Excellent condition (minor edgewear and soft corners)</p><p>Size - 11 17/32” Wide x 17 1/2 “ Tall</p><div>This vibrant poster commemorates the Jerry Garcia Band’s two-night stand at the legendary Armadillo World Headquarters in Austin, Texas, on March 20–21, 1976. Designed by G. L. McElhaney, the artwork features classic 1970s style with psychedelic accents, capturing the laid-back Texas vibes and the Garcia Band’s genre-blending sound.</div><div><span>Offered here is in excellent condition with minor edgewear and soft corners, unauthorized 2nd printing, a well-preserved piece that mirrors the original design but was produced after the event without official approval. Despite its unofficial status, this version remains highly collectible due to its scarcity and visual appeal.</span></div><div><span>A must-have for JGB fans and Texas rock history buffs alike, this poster offers a colorful glimpse into one of the most beloved venues of the era and a memorable moment in Garcia’s solo touring legacy.</span></div><div><b>Free shipping within the United States. International shipping is available at an additional cost. If you would like more information, please email marketplace@relix.com.&nbsp;</b></div><p></p>


Jerry Garcia Band – Armadillo World Headquarters Poster (March 20–21, 1976)

<p><b>Printed By Okeanos Press</b></p><p><b>Details &amp; Condition - Limited Poetry Print, Near Mint condition</b></p><p><b>Size - 8¼″ Wide x 12¼″ Tall </b></p><div>This beautifully printed 1990 broadside features the complete lyrics to “Touch of Grey” by Grateful Dead lyricist Robert Hunter, presented as a formal literary work. Issued by Okeanos Press with approval from Ice Nine Publishing, it was part of a limited-run initiative to preserve and recognize the poetic merit of Hunter’s contributions to American songwriting.</div><div><span>Printed on cream-colored stock with a clean vertical layout, the piece is topped by a classic Steal Your Face logo, framing the lyrics like a poem rather than a song. Unlike standard merchandise or promotional materials, this broadside was never sold at concerts and was intended for literary and archival audiences.</span></div><div><span>Preserved in near-mint condition, it stands as a rare and elegant tribute to the Grateful Dead’s enduring anthem and Hunter’s legacy as a poet.</span></div><div><span>A must-have for Deadheads, collectors of rock literature, and fans of Hunter’s lyrical genius.</span></div><div><b>Free shipping within the United States. International shipping is available at an additional cost. If you would like more information, please email marketplace@relix.com.&nbsp;</b></div><p></p>


“Touch of Grey” Broadside by Robert Hunter (1990)

<p><b>Artist John Cushing</b></p><p><b>Details &amp; Condition - 2nd Printing, Thin Stock, Excellent Condition (Minor corner wear and light handling)</b></p><p><b>Size - Wide 17" x Tall 22 5/8"</b></p><div>This striking poster commemorates a legendary night of psychedelic rock at the Earl Warren Showgrounds in Santa Barbara, California, on April 29, 1967. Featuring an unforgettable lineup of the Grateful Dead, The Doors, UFO, and Captain Speed, this event captured the raw energy of the West Coast’s rapidly evolving music scene.</div><div><span>Designed by John Cushing, the poster showcases vibrant mid-’60s psychedelic artistry, blending surreal color and typography with a bold visual layout. This 2nd printing on thin stock is preserved in excellent condition, with minor corner wear and light handling, making it a rare survivor from one of the most exciting and experimental years in rock history.</span></div><div><span>While a full setlist from the night remains elusive, the Grateful Dead were known during this period for fiery performances of “Viola Lee Blues,” “Cream Puff War,” and “Cold Rain and Snow,” while The Doors were riding high off their debut album and hit single “Light My Fire.”</span></div><div><span>A museum-worthy piece of California rock history, this poster is a must-have for collectors of psychedelic art and fans of the era’s most groundbreaking bands.</span></div><div><b>Free shipping within the United States. International shipping is available at an additional cost. If you would like more information, please email marketplace@relix.com.&nbsp;</b></div><p></p>


Grateful Dead, The Doors, UFO, Captain Speed – Santa Barbara Poster (April 29, 1967)

<p>Art by Wes Wilson</p><p>3rd printing, lithograph, excellent (Light edge and corner wear are visible upon close inspection)</p><p>28 1/2" tall x 15 3/4" wide</p><p>This iconic Wes Wilson poster commemorates the three-night residency at the historic Fillmore in San Francisco (July 15–17, 1966), featuring seminal performances by Jefferson Airplane supported by the Grateful Dead. Printed as a third edition lithograph and preserved in excellent condition with light edge and corner wear, it's a masterpiece of psychedelic concert artwork—tall, narrow format with vivid color and Wilson’s bold, flowing typography.</p><p>Ideally suited for collectors of 1960s concert posters, this tall-format piece by Wes Wilson captures the vibrant energy of early San Francisco psychedelic rock. A standout for frame-and-display, it’s a rare collectible reflecting two pioneering bands at a historic moment.</p><p><b>Free shipping within the United States. International shipping is available at an additional cost. If you would like more information, please email marketplace@relix.com.&nbsp;</b></p><p></p>


BG 17 – Grateful Dead & Jefferson Airplane, Fillmore Auditorium (July 15–17, 1966)

<p>Art by Wes Wilson</p><p>2nd Printing, Excellent Condition (minor handling wear along a few edges and a small surface blemish near the right side of the face)</p><p>Size: 14 1/4" Wide x 20" Tall</p><p>A cornerstone of psychedelic rock history, this original BG 23 poster captures the energy of two legendary bands—Grateful Dead and Jefferson Airplane, sharing the stage at San Francisco’s iconic Fillmore Auditorium on August 12–13, 1966. Designed by Wes Wilson, the godfather of psychedelic poster art, BG 23 is revered for its electric color palette, flowing typography, and early use of the now-iconic Fillmore style that helped define the visual identity of the Haight-Ashbury scene.</p><p>This poster marked one of the earliest appearances of the Grateful Dead at the Fillmore, alongside a rising Jefferson Airplane during the Summer of Love’s formative months. Original printings of BG 23 are prized by collectors for their historical significance and striking visual appeal.&nbsp;</p><p><b>Free shipping within the United States. International shipping is available at an additional cost. If you would like more information, please email marketplace@relix.com.&nbsp;</b></p><p></p>


BG 23 – Grateful Dead & Jefferson Airplane, Fillmore Auditorium (August 12-13, 1966)

<p><b>Cover Artist (Unofficial Edition) - Rick Griffin</b></p><p><b>Details &amp; Condition - Sealed, Very Good Condition (corners and edges show wear)</b></p><div>This rare, unofficial 1974 pirate copy of the Grateful Dead’s Wake of the Flood is a highly sought-after bootleg artifact from the band’s early independent era, representing a dark artifact of the struggles the band's record company faced when starting.&nbsp;</div><div><span>When the Dead set out to create their own record company, they didn't realize what they were up against. Although Grateful Dead Records ended up selling a respectable number of their debut release, Wake of the Flood, the record was pirated -- illegal copies were printed up and sold to unsuspecting retailers, whose customers were angry at how bad the sound quality was. When record stores started returning these pirates as defective pressings, the band realized they had a problem, one that would cost them almost half of the album's sales, if not more, and changing the course of the band's career -- if it had not been pirated, things might have turned out very differently for the band's record company, and for the band.</span></div><div><span>Almost no copies of the pirate edition survived, and this is in as-new condition, still sealed, with the telltale printed track listing attached to the back.&nbsp;</span></div><div><span>It is a truly historic artifact that documents a career-defining challenge the Dead experienced, one that shows what was at stake. Most of all, it is a talisman: even though this would have crushed most companies, the Dead not only persevered, they survived. This artifact is a vivid, historic, and remarkable statement of that determination and integrity.</span></div><div><b>Free shipping within the United States. International shipping is available at an additional cost. If you would like more information, please email marketplace@relix.com.&nbsp;</b></div><p></p>


Wake of the Flood Vinyl Record (Unofficial 1974 Pirate Copy)

<p>Art by Troy Alders</p><p>Original print, Excellent Condition (minor corner softening. No creases, folds, or edge tears. Two tape pulls are present on the reverse side, but do not affect the front image or display.)</p><p>7,262 / 7,500</p><p>15 3/4" Wide x 28 1/2" Tall<br></p><div><span>Artist Troy Alders created this striking original 1995 Mardi Gras poster for what would become the Grateful Dead’s final Mardi Gras celebration. Held at the Oakland Coliseum, these festive shows were beloved for their colorful parades, surprise performances, and carnival atmosphere, and 1995 was no exception.</span></div><div><span>Alders’ artwork captures the vibrant energy of Mardi Gras with a psychedelic twist, reflecting both the spirit of the holiday and the band’s enduring creativity. The poster remains in excellent condition, with minor corner softening. No creases, folds, or edge tears. Two tape pulls are present on the reverse side, but do not affect the front image or display.</span></div><div><span>A rare and poignant piece from the final year of the Grateful Dead’s storied run, this poster is a must-have for collectors looking to own a vibrant artifact from one of the band’s most spirited traditions.</span></div><div><br><b>Free shipping within the United States. International shipping is available at an additional cost. If you would like more information, please email marketplace@relix.com.&nbsp;</b></div><p></p>


Mardi Gras 1995 Poster

<p>Art by Harry Rossit</p><p>Original Print,&nbsp; Excellent Condition (Corners show light wear with faint edge rubbing, and the surface retains strong color and gloss)</p><p>13" Wide x 19" Tall</p><p>Celebrate the spirit of Fat Tuesday Dead-style with this vibrant original 1993 Mardi Gras poster, created by artist Harry Rossit for the Grateful Dead’s annual celebration at the Oakland Coliseum. Known for their festive and playful Mardi Gras shows, the Dead leaned into the pageantry with parades, costumes, and unexpected setlists.</p><p><span>Rossit’s artwork bursts with New Orleans flair, blending psychedelic motifs with traditional Mardi Gras imagery. This is an excellent condition original. The corners show light wear with faint edge rubbing, and the surface retains strong color and gloss. Overall, remarkably well-preserved with only minor signs of handling.</span></p><p>A perfect collectible for Deadheads and poster enthusiasts alike, capturing the magic of one of the Dead’s most beloved live traditions.</p><div><b>Free shipping within the United States. International shipping is available at an additional cost. If you would like more information, please email marketplace@relix.com.&nbsp;</b></div><p></p>


Mardi Gras 1993 Poster

<p><b><i>Original print • Very Good condition (noticeable edgewear, slight creasing, soft corners)</i></b></p><p><span>This poster was produced for Jerry Garcia’s 13-night solo run at the Lunt-Fontanne Theatre in New York City, held October 15–31, 1987. Billed as “Acoustic and Electric,” each show featured Garcia performing two full sets—one acoustic, one electric—supported by longtime collaborators John Kahn and David Kemper.</span></p><div><span>The clean, sharp design centers on a black-and-white photo of Garcia grinning behind a vertically positioned guitar, framed by an art-deco border. It remains one of the most iconic visuals of his post-Dead career and a standout among Bill Graham Presents material from that era.</span></div><div><b>Free shipping within the United States. International shipping is available at an additional cost. If you would like more information, please email marketplace@relix.com.&nbsp;</b></div><p></p>


Jerry Garcia – Lunt-Fontanne Theatre 1987 Poster

<p><b><i>Original program • Near-Excellent condition (light to moderate edgewear, gently softened corners)</i></b></p><p><span>This official Playbill was distributed to attendees during Jerry Garcia’s 13-night “Acoustic and Electric” solo run at the Lunt-Fontanne Theatre in New York City, held from October 15 to 31, 1987. The performances marked Garcia’s return to the stage following his 1986 diabetic coma and featured both acoustic and electric sets backed by longtime collaborators including John Kahn, David Kemper, and members of the Jerry Garcia Band.</span></p><p><span>The Playbill includes cast and crew listings, production notes, and era-specific advertisements, offering a snapshot of the Broadway scene during Garcia’s historic residency. It also features black-and-white photography and written tributes to Garcia’s influence, both within and beyond the Grateful Dead. A rare and authentic piece of memorabilia from one of the most significant solo chapters in Garcia’s career.</span></p><p><b>Free shipping within the United States. International shipping is available at an additional cost. If you would like more information, please email marketplace@relix.com.&nbsp;</b></p><p></p>


Jerry Garcia - Lunt-Fontanne Theatre Playbill (Oct 15–31, 1987 Solo Run)

<p><b><i>Original issue • Excellent condition (minor edge wear)</i></b></p><p><span>This is the original Performing Arts magazine distributed for Jerry Garcia’s run at the Wiltern Theatre in Los Angeles. The cover features Garcia in a magician’s cape, pulling the neck of his guitar from a top hat—an iconic image later used to promote his Broadway residency at the Lunt-Fontanne Theatre. This issue was printed for venues across California and Texas and includes listings and features tied to Garcia’s acoustic and electric performances during this transitional solo period.</span></p><p><span>Unlike posters or handbills, these venue programs were not widely saved, making surviving copies increasingly rare. This copy is clean and complete, with vibrant color and no interior markings. The cover shows only minor edge wear consistent with careful handling but has no tears, folds, or staining.</span></p><p><span>As a piece of printed ephemera tied to Garcia’s solo appearances outside the Grateful Dead, this program captures a moment when he brought his improvisational spirit into formal performing arts venues. A unique collectible that pairs especially well with materials from the Lunt-Fontanne run later that same year.</span></p><p><b>Free shipping within the United States. International shipping is available at an additional cost. If you would like more information, please email marketplace@relix.com.&nbsp;</b></p><p></p>


From The Vault: Grateful Dead Posters & More