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Art by Harry RossitOriginal Print,&nbsp; Excellent Condition (Corners show light wear with faint edge rubbing, and the surface retains strong color and gloss)13" Wide x 19" TallCelebrate the spirit of Fat Tuesday Dead-style with this vibrant original 1993 Mardi Gras poster, created by artist Harry Rossit for the Grateful Dead’s annual celebration at the Oakland Coliseum. Known for their festive and playful Mardi Gras shows, the Dead leaned into the pageantry with parades, costumes, and unexpected setlists.Rossit’s artwork bursts with New Orleans flair, blending psychedelic motifs with traditional Mardi Gras imagery. This is an excellent condition original. The corners show light wear with faint edge rubbing, and the surface retains strong color and gloss. Overall, remarkably well-preserved with only minor signs of handling.A perfect collectible for Deadheads and poster enthusiasts alike, capturing the magic of one of the Dead’s most beloved live traditions.<div>Free shipping within the United States. International shipping is available at an additional cost. If you would like more information, please email marketplace@relix.com.&nbsp;</div>

Mardi Gras 1993 Poster

This curated auction features a trove of vintage and rare Grateful Dead concert posters, spanning the band’s storied career. Highlights include Fillmore originals, European tour prints, Mardi Gras celebrations, Egypt 1978, and more. Many pieces are first printings, artist-signed, or sourced from historic venues that helped shape the Dead’s legacy.Whether you're a lifelong collector or just discovering the psychedelic visual world of the Dead, this archive offers a unique window into the art, culture, and movement that followed the band for decades.Bid now and own a piece of Grateful Dead history.Free shipping within the United States. International shipping is available at an additional cost.

Art by Wes Wilson3rd printing, lithograph, excellent (Light edge and corner wear are visible upon close inspection)28 1/2" tall x 15 3/4" wideThis iconic Wes Wilson poster commemorates the three-night residency at the historic Fillmore in San Francisco (July 15–17, 1966), featuring seminal performances by Jefferson Airplane supported by the Grateful Dead. Printed as a third edition lithograph and preserved in excellent condition with light edge and corner wear, it's a masterpiece of psychedelic concert artwork—tall, narrow format with vivid color and Wilson’s bold, flowing typography.Ideally suited for collectors of 1960s concert posters, this tall-format piece by Wes Wilson captures the vibrant energy of early San Francisco psychedelic rock. A standout for frame-and-display, it’s a rare collectible reflecting two pioneering bands at a historic moment.Free shipping within the United States. International shipping is available at an additional cost. If you would like more information, please email marketplace@relix.com.&nbsp;

BG 17 – Grateful Dead & Jefferson Airplane, Fillmore Auditorium (July 15–17, 1966)

Art by Wes Wilson2nd Printing, Excellent Condition (minor handling wear along a few edges and a small surface blemish near the right side of the face)Size: 14 1/4" Wide x 20" TallA cornerstone of psychedelic rock history, this original BG 23 poster captures the energy of two legendary bands—Grateful Dead and Jefferson Airplane, sharing the stage at San Francisco’s iconic Fillmore Auditorium on August 12–13, 1966. Designed by Wes Wilson, the godfather of psychedelic poster art, BG 23 is revered for its electric color palette, flowing typography, and early use of the now-iconic Fillmore style that helped define the visual identity of the Haight-Ashbury scene.This poster marked one of the earliest appearances of the Grateful Dead at the Fillmore, alongside a rising Jefferson Airplane during the Summer of Love’s formative months. Original printings of BG 23 are prized by collectors for their historical significance and striking visual appeal.&nbsp;Free shipping within the United States. International shipping is available at an additional cost. If you would like more information, please email marketplace@relix.com.&nbsp;

BG 23 – Grateful Dead & Jefferson Airplane, Fillmore Auditorium (August 12-13, 1966)

Cover Artist (Unofficial Edition) - Rick GriffinDetails &amp; Condition - Sealed, Very Good Condition (corners and edges show wear)<div>This rare, unofficial 1974 pirate copy of the Grateful Dead’s Wake of the Flood is a highly sought-after bootleg artifact from the band’s early independent era, representing a dark artifact of the struggles the band's record company faced when starting.&nbsp;</div><div>When the Dead set out to create their own record company, they didn't realize what they were up against. Although Grateful Dead Records ended up selling a respectable number of their debut release, Wake of the Flood, the record was pirated -- illegal copies were printed up and sold to unsuspecting retailers, whose customers were angry at how bad the sound quality was. When record stores started returning these pirates as defective pressings, the band realized they had a problem, one that would cost them almost half of the album's sales, if not more, and changing the course of the band's career -- if it had not been pirated, things might have turned out very differently for the band's record company, and for the band.</div><div>Almost no copies of the pirate edition survived, and this is in as-new condition, still sealed, with the telltale printed track listing attached to the back.&nbsp;</div><div>It is a truly historic artifact that documents a career-defining challenge the Dead experienced, one that shows what was at stake. Most of all, it is a talisman: even though this would have crushed most companies, the Dead not only persevered, they survived. This artifact is a vivid, historic, and remarkable statement of that determination and integrity.</div><div>Free shipping within the United States. International shipping is available at an additional cost. If you would like more information, please email marketplace@relix.com.&nbsp;</div>

Wake of the Flood Vinyl Record (Unofficial 1974 Pirate Copy)

Art by Troy AldersOriginal print, Excellent Condition (minor corner softening. No creases, folds, or edge tears. Two tape pulls are present on the reverse side, but do not affect the front image or display.)7,262 / 7,50015 3/4" Wide x 28 1/2" Tall <div>Artist Troy Alders created this striking original 1995 Mardi Gras poster for what would become the Grateful Dead’s final Mardi Gras celebration. Held at the Oakland Coliseum, these festive shows were beloved for their colorful parades, surprise performances, and carnival atmosphere, and 1995 was no exception.</div><div>Alders’ artwork captures the vibrant energy of Mardi Gras with a psychedelic twist, reflecting both the spirit of the holiday and the band’s enduring creativity. The poster remains in excellent condition, with minor corner softening. No creases, folds, or edge tears. Two tape pulls are present on the reverse side, but do not affect the front image or display.</div><div>A rare and poignant piece from the final year of the Grateful Dead’s storied run, this poster is a must-have for collectors looking to own a vibrant artifact from one of the band’s most spirited traditions.</div><div> Free shipping within the United States. International shipping is available at an additional cost. If you would like more information, please email marketplace@relix.com.&nbsp;</div>

Mardi Gras 1995 Poster

Original print • Very Good condition (noticeable edgewear, slight creasing, soft corners)This poster was produced for Jerry Garcia’s 13-night solo run at the Lunt-Fontanne Theatre in New York City, held October 15–31, 1987. Billed as “Acoustic and Electric,” each show featured Garcia performing two full sets—one acoustic, one electric—supported by longtime collaborators John Kahn and David Kemper.<div>The clean, sharp design centers on a black-and-white photo of Garcia grinning behind a vertically positioned guitar, framed by an art-deco border. It remains one of the most iconic visuals of his post-Dead career and a standout among Bill Graham Presents material from that era.</div><div>Free shipping within the United States. International shipping is available at an additional cost. If you would like more information, please email marketplace@relix.com.&nbsp;</div>

Jerry Garcia – Lunt-Fontanne Theatre 1987 Poster

Original program • Near-Excellent condition (light to moderate edgewear, gently softened corners)This official Playbill was distributed to attendees during Jerry Garcia’s 13-night “Acoustic and Electric” solo run at the Lunt-Fontanne Theatre in New York City, held from October 15 to 31, 1987. The performances marked Garcia’s return to the stage following his 1986 diabetic coma and featured both acoustic and electric sets backed by longtime collaborators including John Kahn, David Kemper, and members of the Jerry Garcia Band.The Playbill includes cast and crew listings, production notes, and era-specific advertisements, offering a snapshot of the Broadway scene during Garcia’s historic residency. It also features black-and-white photography and written tributes to Garcia’s influence, both within and beyond the Grateful Dead. A rare and authentic piece of memorabilia from one of the most significant solo chapters in Garcia’s career.Free shipping within the United States. International shipping is available at an additional cost. If you would like more information, please email marketplace@relix.com.&nbsp;

Jerry Garcia - Lunt-Fontanne Theatre Playbill (Oct 15–31, 1987 Solo Run)

Original issue • Excellent condition (minor edge wear)This is the original Performing Arts magazine distributed for Jerry Garcia’s run at the Wiltern Theatre in Los Angeles. The cover features Garcia in a magician’s cape, pulling the neck of his guitar from a top hat—an iconic image later used to promote his Broadway residency at the Lunt-Fontanne Theatre. This issue was printed for venues across California and Texas and includes listings and features tied to Garcia’s acoustic and electric performances during this transitional solo period.Unlike posters or handbills, these venue programs were not widely saved, making surviving copies increasingly rare. This copy is clean and complete, with vibrant color and no interior markings. The cover shows only minor edge wear consistent with careful handling but has no tears, folds, or staining.As a piece of printed ephemera tied to Garcia’s solo appearances outside the Grateful Dead, this program captures a moment when he brought his improvisational spirit into formal performing arts venues. A unique collectible that pairs especially well with materials from the Lunt-Fontanne run later that same year.Free shipping within the United States. International shipping is available at an additional cost. If you would like more information, please email marketplace@relix.com.&nbsp;

Mardi Gras 1993 Poster

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