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<p><b>Printed By Okeanos Press</b></p><p><b>Details &amp; Condition - Limited Poetry Print, Near Mint condition</b></p><p><b>Size - 8¼″ Wide x 12¼″ Tall </b></p><div>This beautifully printed 1990 broadside features the complete lyrics to “Touch of Grey” by Grateful Dead lyricist Robert Hunter, presented as a formal literary work. Issued by Okeanos Press with approval from Ice Nine Publishing, it was part of a limited-run initiative to preserve and recognize the poetic merit of Hunter’s contributions to American songwriting.</div><div><span>Printed on cream-colored stock with a clean vertical layout, the piece is topped by a classic Steal Your Face logo, framing the lyrics like a poem rather than a song. Unlike standard merchandise or promotional materials, this broadside was never sold at concerts and was intended for literary and archival audiences.</span></div><div><span>Preserved in near-mint condition, it stands as a rare and elegant tribute to the Grateful Dead’s enduring anthem and Hunter’s legacy as a poet.</span></div><div><span>A must-have for Deadheads, collectors of rock literature, and fans of Hunter’s lyrical genius.</span></div><div><b>Free shipping within the United States. International shipping is available at an additional cost. If you would like more information, please email marketplace@relix.com.&nbsp;</b></div><p></p>


“Touch of Grey” Broadside by Robert Hunter (1990)

<p>This curated auction features a trove of vintage and rare Grateful Dead concert posters, spanning the band’s storied career. Highlights include Fillmore originals, European tour prints, Mardi Gras celebrations, Egypt 1978, and more. Many pieces are first printings, artist-signed, or sourced from historic venues that helped shape the Dead’s legacy.</p><p><span>Whether you're a lifelong collector or just discovering the psychedelic visual world of the Dead, this archive offers a unique window into the art, culture, and movement that followed the band for decades.</span></p><p><span>Bid now and own a piece of Grateful Dead history.</span></p><p><i><b>Free shipping within the United States. International shipping is available at an additional cost.</b></i></p><p></p>


<p><b>Artist - Richard Biffle</b></p><p><b>Details &amp; Condition - Original print, Signed by Full Band, Mint Condition</b></p><p><b>Size - 12" Wide x 18" Tall</b></p><div>This original 2004 “Wave That Flag” Summer Tour poster, designed by renowned Grateful Dead artist Richard Biffle, celebrates The Dead’s triumphant return to the road. Featuring Bob Weir, Phil Lesh, Mickey Hart, and Bill Kreutzmann, joined by Warren Haynes, Jeff Chimenti, and Jimmy Herring, this tour brought the spirit of the Dead into a new era.</div><div><span>Vibrant and richly detailed, Biffle’s artwork captures the energy and symbolism of the Grateful Dead’s enduring legacy. What makes this piece truly exceptional is that it’s signed by the full band, making it a rare and valuable collector’s item.</span></div><div><span>Preserved in mint condition, this poster is a standout tribute to the post-Jerry era and a must-have for any serious Deadhead or rock memorabilia collector.</span></div><div><span>Wave that flag—and own a piece of modern Dead history.</span></div><div><b>Free shipping within the United States. International shipping is available at an additional cost. If you would like more information, please email marketplace@relix.com.&nbsp;</b></div><p></p>


The Dead – “Wave That Flag” Summer Tour 2004 Poster (Signed by Full Band)

<p><span>Art by Sun Graphics</span></p><p><span>Original Print, Rare Survivor, Excellent condition (light corner wear)</span></p><p>13 3/8” Wide x 20½” Tall</p><p>This VERY RARE original poster commemorates the Grateful Dead’s historic 1986 performance at Boreal Ridge Ski Resort in Northern California, a high-altitude, summertime show remembered for its remote mountain setting and electric energy. Designed by Sun Graphics, the poster blends bold typography with vibrant imagery evocative of the Dead’s mountain-vibe mystique.</p><p>Preserved in excellent condition with light corner wear, this original print is a true survivor; few were produced, and even fewer remain intact nearly four decades later. A must-have piece for any serious Deadhead or collector of 1980s-era concert memorabilia.</p><p>Add a rare and atmospheric artifact to your collection from a lesser-known but legendary moment in Grateful Dead history.</p><div><b>Free shipping within the United States. International shipping is available at an additional cost. If you would like more information, please email marketplace@relix.com.&nbsp;</b></div><p></p>


Boreal Ridge ’86 Poster

<p><b>Details &amp; Condition: Original Print, Near Mint Condition</b></p><p><b>Size - 8.5" Wide x 12" Tall</b></p><div>This original Grateful Dead concert program from 1983/84 offers a snapshot of the band during a high-energy era marked by evolving setlists, new material, and renewed creative momentum. Produced for their national tour, the program features band photos, artwork, and era-specific commentary that reflects the Dead’s unique blend of improvisation, culture, and community.</div><div><span>Printed on glossy stock and preserved in near mint condition, this piece captures the vibe of early-'80s Dead, when Brent Mydland’s keyboards were in full swing and the band was delivering fiery performances coast to coast.</span></div><div><span>A rare collectible that bridges the late ’70s and late ’80s Dead eras, perfect for fans and collectors seeking original ephemera from the band’s storied touring history.</span></div><div><b>Free shipping within the United States. International shipping is available at an additional cost. If you would like more information, please email marketplace@relix.com.&nbsp;</b></div><p></p>


1983/1984 Concert Program

<p>Artist - G. L. McElhaney</p><p>Details &amp; Condition - Unauthorized 2nd Printing, Excellent condition (minor edgewear and soft corners)</p><p>Size - 11 17/32” Wide x 17 1/2 “ Tall</p><div>This vibrant poster commemorates the Jerry Garcia Band’s two-night stand at the legendary Armadillo World Headquarters in Austin, Texas, on March 20–21, 1976. Designed by G. L. McElhaney, the artwork features classic 1970s style with psychedelic accents, capturing the laid-back Texas vibes and the Garcia Band’s genre-blending sound.</div><div><span>Offered here is in excellent condition with minor edgewear and soft corners, unauthorized 2nd printing, a well-preserved piece that mirrors the original design but was produced after the event without official approval. Despite its unofficial status, this version remains highly collectible due to its scarcity and visual appeal.</span></div><div><span>A must-have for JGB fans and Texas rock history buffs alike, this poster offers a colorful glimpse into one of the most beloved venues of the era and a memorable moment in Garcia’s solo touring legacy.</span></div><div><b>Free shipping within the United States. International shipping is available at an additional cost. If you would like more information, please email marketplace@relix.com.&nbsp;</b></div><p></p>


Jerry Garcia Band – Armadillo World Headquarters Poster (March 20–21, 1976)

<p><b>Artist John Cushing</b></p><p><b>Details &amp; Condition - 2nd Printing, Thin Stock, Excellent Condition (Minor corner wear and light handling)</b></p><p><b>Size - Wide 17" x Tall 22 5/8"</b></p><div>This striking poster commemorates a legendary night of psychedelic rock at the Earl Warren Showgrounds in Santa Barbara, California, on April 29, 1967. Featuring an unforgettable lineup of the Grateful Dead, The Doors, UFO, and Captain Speed, this event captured the raw energy of the West Coast’s rapidly evolving music scene.</div><div><span>Designed by John Cushing, the poster showcases vibrant mid-’60s psychedelic artistry, blending surreal color and typography with a bold visual layout. This 2nd printing on thin stock is preserved in excellent condition, with minor corner wear and light handling, making it a rare survivor from one of the most exciting and experimental years in rock history.</span></div><div><span>While a full setlist from the night remains elusive, the Grateful Dead were known during this period for fiery performances of “Viola Lee Blues,” “Cream Puff War,” and “Cold Rain and Snow,” while The Doors were riding high off their debut album and hit single “Light My Fire.”</span></div><div><span>A museum-worthy piece of California rock history, this poster is a must-have for collectors of psychedelic art and fans of the era’s most groundbreaking bands.</span></div><div><b>Free shipping within the United States. International shipping is available at an additional cost. If you would like more information, please email marketplace@relix.com.&nbsp;</b></div><p></p>


Grateful Dead, The Doors, UFO, Captain Speed – Santa Barbara Poster (April 29, 1967)

<p>Art by Wes Wilson</p><p>3rd printing, lithograph, excellent (Light edge and corner wear are visible upon close inspection)</p><p>28 1/2" tall x 15 3/4" wide</p><p>This iconic Wes Wilson poster commemorates the three-night residency at the historic Fillmore in San Francisco (July 15–17, 1966), featuring seminal performances by Jefferson Airplane supported by the Grateful Dead. Printed as a third edition lithograph and preserved in excellent condition with light edge and corner wear, it's a masterpiece of psychedelic concert artwork—tall, narrow format with vivid color and Wilson’s bold, flowing typography.</p><p>Ideally suited for collectors of 1960s concert posters, this tall-format piece by Wes Wilson captures the vibrant energy of early San Francisco psychedelic rock. A standout for frame-and-display, it’s a rare collectible reflecting two pioneering bands at a historic moment.</p><p><b>Free shipping within the United States. International shipping is available at an additional cost. If you would like more information, please email marketplace@relix.com.&nbsp;</b></p><p></p>


BG 17 – Grateful Dead & Jefferson Airplane, Fillmore Auditorium (July 15–17, 1966)

<p>Art by Wes Wilson</p><p>2nd Printing, Excellent Condition (minor handling wear along a few edges and a small surface blemish near the right side of the face)</p><p>Size: 14 1/4" Wide x 20" Tall</p><p>A cornerstone of psychedelic rock history, this original BG 23 poster captures the energy of two legendary bands—Grateful Dead and Jefferson Airplane, sharing the stage at San Francisco’s iconic Fillmore Auditorium on August 12–13, 1966. Designed by Wes Wilson, the godfather of psychedelic poster art, BG 23 is revered for its electric color palette, flowing typography, and early use of the now-iconic Fillmore style that helped define the visual identity of the Haight-Ashbury scene.</p><p>This poster marked one of the earliest appearances of the Grateful Dead at the Fillmore, alongside a rising Jefferson Airplane during the Summer of Love’s formative months. Original printings of BG 23 are prized by collectors for their historical significance and striking visual appeal.&nbsp;</p><p><b>Free shipping within the United States. International shipping is available at an additional cost. If you would like more information, please email marketplace@relix.com.&nbsp;</b></p><p></p>


BG 23 – Grateful Dead & Jefferson Airplane, Fillmore Auditorium (August 12-13, 1966)

<p><b>Cover Artist (Unofficial Edition) - Rick Griffin</b></p><p><b>Details &amp; Condition - Sealed, Very Good Condition (corners and edges show wear)</b></p><div>This rare, unofficial 1974 pirate copy of the Grateful Dead’s Wake of the Flood is a highly sought-after bootleg artifact from the band’s early independent era, representing a dark artifact of the struggles the band's record company faced when starting.&nbsp;</div><div><span>When the Dead set out to create their own record company, they didn't realize what they were up against. Although Grateful Dead Records ended up selling a respectable number of their debut release, Wake of the Flood, the record was pirated -- illegal copies were printed up and sold to unsuspecting retailers, whose customers were angry at how bad the sound quality was. When record stores started returning these pirates as defective pressings, the band realized they had a problem, one that would cost them almost half of the album's sales, if not more, and changing the course of the band's career -- if it had not been pirated, things might have turned out very differently for the band's record company, and for the band.</span></div><div><span>Almost no copies of the pirate edition survived, and this is in as-new condition, still sealed, with the telltale printed track listing attached to the back.&nbsp;</span></div><div><span>It is a truly historic artifact that documents a career-defining challenge the Dead experienced, one that shows what was at stake. Most of all, it is a talisman: even though this would have crushed most companies, the Dead not only persevered, they survived. This artifact is a vivid, historic, and remarkable statement of that determination and integrity.</span></div><div><b>Free shipping within the United States. International shipping is available at an additional cost. If you would like more information, please email marketplace@relix.com.&nbsp;</b></div><p></p>


“Touch of Grey” Broadside by Robert Hunter (1990)

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