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<p>Art by Wes Wilson</p><p>2nd Printing, Excellent Condition (minor handling wear along a few edges and a small surface blemish near the right side of the face)</p><p>Size: 14 1/4" Wide x 20" Tall</p><p>A cornerstone of psychedelic rock history, this original BG 23 poster captures the energy of two legendary bands—Grateful Dead and Jefferson Airplane, sharing the stage at San Francisco’s iconic Fillmore Auditorium on August 12–13, 1966. Designed by Wes Wilson, the godfather of psychedelic poster art, BG 23 is revered for its electric color palette, flowing typography, and early use of the now-iconic Fillmore style that helped define the visual identity of the Haight-Ashbury scene.</p><p>This poster marked one of the earliest appearances of the Grateful Dead at the Fillmore, alongside a rising Jefferson Airplane during the Summer of Love’s formative months. Original printings of BG 23 are prized by collectors for their historical significance and striking visual appeal.&nbsp;</p><p><b>Free shipping within the United States. International shipping is available at an additional cost. If you would like more information, please email marketplace@relix.com.&nbsp;</b></p><p></p>


BG 23 – Grateful Dead & Jefferson Airplane, Fillmore Auditorium (August 12-13, 1966)

<p>This curated auction features a trove of vintage and rare Grateful Dead concert posters, spanning the band’s storied career. Highlights include Fillmore originals, European tour prints, Mardi Gras celebrations, Egypt 1978, and more. Many pieces are first printings, artist-signed, or sourced from historic venues that helped shape the Dead’s legacy.</p><p><span>Whether you're a lifelong collector or just discovering the psychedelic visual world of the Dead, this archive offers a unique window into the art, culture, and movement that followed the band for decades.</span></p><p><span>Bid now and own a piece of Grateful Dead history.</span></p><p><i><b>Free shipping within the United States. International shipping is available at an additional cost.</b></i></p><p></p>


<p>Artist - G. L. McElhaney</p><p>Details &amp; Condition - Unauthorized 2nd Printing, Excellent condition (minor edgewear and soft corners)</p><p>Size - 11 17/32” Wide x 17 1/2 “ Tall</p><div>This vibrant poster commemorates the Jerry Garcia Band’s two-night stand at the legendary Armadillo World Headquarters in Austin, Texas, on March 20–21, 1976. Designed by G. L. McElhaney, the artwork features classic 1970s style with psychedelic accents, capturing the laid-back Texas vibes and the Garcia Band’s genre-blending sound.</div><div><span>Offered here is in excellent condition with minor edgewear and soft corners, unauthorized 2nd printing, a well-preserved piece that mirrors the original design but was produced after the event without official approval. Despite its unofficial status, this version remains highly collectible due to its scarcity and visual appeal.</span></div><div><span>A must-have for JGB fans and Texas rock history buffs alike, this poster offers a colorful glimpse into one of the most beloved venues of the era and a memorable moment in Garcia’s solo touring legacy.</span></div><div><b>Free shipping within the United States. International shipping is available at an additional cost. If you would like more information, please email marketplace@relix.com.&nbsp;</b></div><p></p>


Jerry Garcia Band – Armadillo World Headquarters Poster (March 20–21, 1976)

<p><b>Printed By Okeanos Press</b></p><p><b>Details &amp; Condition - Limited Poetry Print, Near Mint condition</b></p><p><b>Size - 8¼″ Wide x 12¼″ Tall </b></p><div>This beautifully printed 1990 broadside features the complete lyrics to “Touch of Grey” by Grateful Dead lyricist Robert Hunter, presented as a formal literary work. Issued by Okeanos Press with approval from Ice Nine Publishing, it was part of a limited-run initiative to preserve and recognize the poetic merit of Hunter’s contributions to American songwriting.</div><div><span>Printed on cream-colored stock with a clean vertical layout, the piece is topped by a classic Steal Your Face logo, framing the lyrics like a poem rather than a song. Unlike standard merchandise or promotional materials, this broadside was never sold at concerts and was intended for literary and archival audiences.</span></div><div><span>Preserved in near-mint condition, it stands as a rare and elegant tribute to the Grateful Dead’s enduring anthem and Hunter’s legacy as a poet.</span></div><div><span>A must-have for Deadheads, collectors of rock literature, and fans of Hunter’s lyrical genius.</span></div><div><b>Free shipping within the United States. International shipping is available at an additional cost. If you would like more information, please email marketplace@relix.com.&nbsp;</b></div><p></p>


“Touch of Grey” Broadside by Robert Hunter (1990)

<p><b>Artist John Cushing</b></p><p><b>Details &amp; Condition - 2nd Printing, Thin Stock, Excellent Condition (Minor corner wear and light handling)</b></p><p><b>Size - Wide 17" x Tall 22 5/8"</b></p><div>This striking poster commemorates a legendary night of psychedelic rock at the Earl Warren Showgrounds in Santa Barbara, California, on April 29, 1967. Featuring an unforgettable lineup of the Grateful Dead, The Doors, UFO, and Captain Speed, this event captured the raw energy of the West Coast’s rapidly evolving music scene.</div><div><span>Designed by John Cushing, the poster showcases vibrant mid-’60s psychedelic artistry, blending surreal color and typography with a bold visual layout. This 2nd printing on thin stock is preserved in excellent condition, with minor corner wear and light handling, making it a rare survivor from one of the most exciting and experimental years in rock history.</span></div><div><span>While a full setlist from the night remains elusive, the Grateful Dead were known during this period for fiery performances of “Viola Lee Blues,” “Cream Puff War,” and “Cold Rain and Snow,” while The Doors were riding high off their debut album and hit single “Light My Fire.”</span></div><div><span>A museum-worthy piece of California rock history, this poster is a must-have for collectors of psychedelic art and fans of the era’s most groundbreaking bands.</span></div><div><b>Free shipping within the United States. International shipping is available at an additional cost. If you would like more information, please email marketplace@relix.com.&nbsp;</b></div><p></p>


Grateful Dead, The Doors, UFO, Captain Speed – Santa Barbara Poster (April 29, 1967)

<p>Art by Wes Wilson</p><p>3rd printing, lithograph, excellent (Light edge and corner wear are visible upon close inspection)</p><p>28 1/2" tall x 15 3/4" wide</p><p>This iconic Wes Wilson poster commemorates the three-night residency at the historic Fillmore in San Francisco (July 15–17, 1966), featuring seminal performances by Jefferson Airplane supported by the Grateful Dead. Printed as a third edition lithograph and preserved in excellent condition with light edge and corner wear, it's a masterpiece of psychedelic concert artwork—tall, narrow format with vivid color and Wilson’s bold, flowing typography.</p><p>Ideally suited for collectors of 1960s concert posters, this tall-format piece by Wes Wilson captures the vibrant energy of early San Francisco psychedelic rock. A standout for frame-and-display, it’s a rare collectible reflecting two pioneering bands at a historic moment.</p><p><b>Free shipping within the United States. International shipping is available at an additional cost. If you would like more information, please email marketplace@relix.com.&nbsp;</b></p><p></p>


BG 17 – Grateful Dead & Jefferson Airplane, Fillmore Auditorium (July 15–17, 1966)

<p><b>Cover Artist (Unofficial Edition) - Rick Griffin</b></p><p><b>Details &amp; Condition - Sealed, Very Good Condition (corners and edges show wear)</b></p><div>This rare, unofficial 1974 pirate copy of the Grateful Dead’s Wake of the Flood is a highly sought-after bootleg artifact from the band’s early independent era, representing a dark artifact of the struggles the band's record company faced when starting.&nbsp;</div><div><span>When the Dead set out to create their own record company, they didn't realize what they were up against. Although Grateful Dead Records ended up selling a respectable number of their debut release, Wake of the Flood, the record was pirated -- illegal copies were printed up and sold to unsuspecting retailers, whose customers were angry at how bad the sound quality was. When record stores started returning these pirates as defective pressings, the band realized they had a problem, one that would cost them almost half of the album's sales, if not more, and changing the course of the band's career -- if it had not been pirated, things might have turned out very differently for the band's record company, and for the band.</span></div><div><span>Almost no copies of the pirate edition survived, and this is in as-new condition, still sealed, with the telltale printed track listing attached to the back.&nbsp;</span></div><div><span>It is a truly historic artifact that documents a career-defining challenge the Dead experienced, one that shows what was at stake. Most of all, it is a talisman: even though this would have crushed most companies, the Dead not only persevered, they survived. This artifact is a vivid, historic, and remarkable statement of that determination and integrity.</span></div><div><b>Free shipping within the United States. International shipping is available at an additional cost. If you would like more information, please email marketplace@relix.com.&nbsp;</b></div><p></p>


Wake of the Flood Vinyl Record (Unofficial 1974 Pirate Copy)

<p>Art by Troy Alders</p><p>Original print, Excellent Condition (minor corner softening. No creases, folds, or edge tears. Two tape pulls are present on the reverse side, but do not affect the front image or display.)</p><p>7,262 / 7,500</p><p>15 3/4" Wide x 28 1/2" Tall<br></p><div><span>Artist Troy Alders created this striking original 1995 Mardi Gras poster for what would become the Grateful Dead’s final Mardi Gras celebration. Held at the Oakland Coliseum, these festive shows were beloved for their colorful parades, surprise performances, and carnival atmosphere, and 1995 was no exception.</span></div><div><span>Alders’ artwork captures the vibrant energy of Mardi Gras with a psychedelic twist, reflecting both the spirit of the holiday and the band’s enduring creativity. The poster remains in excellent condition, with minor corner softening. No creases, folds, or edge tears. Two tape pulls are present on the reverse side, but do not affect the front image or display.</span></div><div><span>A rare and poignant piece from the final year of the Grateful Dead’s storied run, this poster is a must-have for collectors looking to own a vibrant artifact from one of the band’s most spirited traditions.</span></div><div><br><b>Free shipping within the United States. International shipping is available at an additional cost. If you would like more information, please email marketplace@relix.com.&nbsp;</b></div><p></p>


Mardi Gras 1995 Poster

<p>Art by Harry Rossit</p><p>Original Print,&nbsp; Excellent Condition (Corners show light wear with faint edge rubbing, and the surface retains strong color and gloss)</p><p>13" Wide x 19" Tall</p><p>Celebrate the spirit of Fat Tuesday Dead-style with this vibrant original 1993 Mardi Gras poster, created by artist Harry Rossit for the Grateful Dead’s annual celebration at the Oakland Coliseum. Known for their festive and playful Mardi Gras shows, the Dead leaned into the pageantry with parades, costumes, and unexpected setlists.</p><p><span>Rossit’s artwork bursts with New Orleans flair, blending psychedelic motifs with traditional Mardi Gras imagery. This is an excellent condition original. The corners show light wear with faint edge rubbing, and the surface retains strong color and gloss. Overall, remarkably well-preserved with only minor signs of handling.</span></p><p>A perfect collectible for Deadheads and poster enthusiasts alike, capturing the magic of one of the Dead’s most beloved live traditions.</p><div><b>Free shipping within the United States. International shipping is available at an additional cost. If you would like more information, please email marketplace@relix.com.&nbsp;</b></div><p></p>


Mardi Gras 1993 Poster

<p><b><i>Original print • Very Good condition (noticeable edgewear, slight creasing, soft corners)</i></b></p><p><span>This poster was produced for Jerry Garcia’s 13-night solo run at the Lunt-Fontanne Theatre in New York City, held October 15–31, 1987. Billed as “Acoustic and Electric,” each show featured Garcia performing two full sets—one acoustic, one electric—supported by longtime collaborators John Kahn and David Kemper.</span></p><div><span>The clean, sharp design centers on a black-and-white photo of Garcia grinning behind a vertically positioned guitar, framed by an art-deco border. It remains one of the most iconic visuals of his post-Dead career and a standout among Bill Graham Presents material from that era.</span></div><div><b>Free shipping within the United States. International shipping is available at an additional cost. If you would like more information, please email marketplace@relix.com.&nbsp;</b></div><p></p>


BG 23 – Grateful Dead & Jefferson Airplane, Fillmore Auditorium (August 12-13, 1966)

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