Relix

<p><b>Details &amp; Condition: Original Print, Near Mint Condition</b></p><p><b>Size - 8.5" Wide x 12" Tall</b></p><div>This original Grateful Dead concert program from 1983/84 offers a snapshot of the band during a high-energy era marked by evolving setlists, new material, and renewed creative momentum. Produced for their national tour, the program features band photos, artwork, and era-specific commentary that reflects the Dead’s unique blend of improvisation, culture, and community.</div><div><span>Printed on glossy stock and preserved in near mint condition, this piece captures the vibe of early-'80s Dead, when Brent Mydland’s keyboards were in full swing and the band was delivering fiery performances coast to coast.</span></div><div><span>A rare collectible that bridges the late ’70s and late ’80s Dead eras, perfect for fans and collectors seeking original ephemera from the band’s storied touring history.</span></div><div><b>Free shipping within the United States. International shipping is available at an additional cost. If you would like more information, please email marketplace@relix.com.&nbsp;</b></div><p></p>


1983/1984 Concert Program

<p>This curated auction features a trove of vintage and rare Grateful Dead concert posters, spanning the band’s storied career. Highlights include Fillmore originals, European tour prints, Mardi Gras celebrations, Egypt 1978, and more. Many pieces are first printings, artist-signed, or sourced from historic venues that helped shape the Dead’s legacy.</p><p><span>Whether you're a lifelong collector or just discovering the psychedelic visual world of the Dead, this archive offers a unique window into the art, culture, and movement that followed the band for decades.</span></p><p><span>Bid now and own a piece of Grateful Dead history.</span></p><p><i><b>Free shipping within the United States. International shipping is available at an additional cost.</b></i></p><p></p>


<p><b>Cover Artist (Unofficial Edition) - Rick Griffin</b></p><p><b>Details &amp; Condition - Sealed, Very Good Condition (corners and edges show wear)</b></p><div>This rare, unofficial 1974 pirate copy of the Grateful Dead’s Wake of the Flood is a highly sought-after bootleg artifact from the band’s early independent era, representing a dark artifact of the struggles the band's record company faced when starting. It's a piece of history that shows why the band's effort to go their own way was heroic and fraught. Pressed and circulated without the band’s authorization, these underground editions were typically distributed in limited quantities, making them difficult to find, especially sealed in very good condition.</div><div><span>The album features timeless tracks like “Eyes of the World,” “Stella Blue,” and “Mississippi Half-Step Uptown Toodeloo,” and marked the first studio release on the band’s label, Grateful Dead Records. This pressing is rumored to feature alternate audio mastering and packaging elements, making it a curiosity among serious collectors.</span></div><div><span>Whether for its rarity, rebel spirit, or connection to a pivotal moment in the Dead’s evolution, this sealed copy is a true Deadhead collector’s gem.</span></div><div><b>Free shipping within the United States. International shipping is available at an additional cost. If you would like more information, please email marketplace@relix.com.&nbsp;</b></div><p></p>


Wake of the Flood Vinyl Record (Unofficial 1974 Pirate Copy)

<p>Art by Troy Alders</p><p>Original print, Excellent Condition (minor corner softening. No creases, folds, or edge tears. Two tape pulls are present on the reverse side, but do not affect the front image or display.)</p><p>7,262 / 7,500</p><p>15 3/4" Wide x 28 1/2" Tall<br></p><div><span>Artist Troy Alders created this striking original 1995 Mardi Gras poster for what would become the Grateful Dead’s final Mardi Gras celebration. Held at the Oakland Coliseum, these festive shows were beloved for their colorful parades, surprise performances, and carnival atmosphere, and 1995 was no exception.</span></div><div><span>Alders’ artwork captures the vibrant energy of Mardi Gras with a psychedelic twist, reflecting both the spirit of the holiday and the band’s enduring creativity. The poster remains in excellent condition, with minor corner softening. No creases, folds, or edge tears. Two tape pulls are present on the reverse side, but do not affect the front image or display.</span></div><div><span>A rare and poignant piece from the final year of the Grateful Dead’s storied run, this poster is a must-have for collectors looking to own a vibrant artifact from one of the band’s most spirited traditions.</span></div><div><br><b>Free shipping within the United States. International shipping is available at an additional cost. If you would like more information, please email marketplace@relix.com.&nbsp;</b></div><p></p>


Mardi Gras 1995 Poster

<p>Art by Harry Rossit</p><p>Original Print,&nbsp; Excellent Condition (Corners show light wear with faint edge rubbing, and the surface retains strong color and gloss)</p><p>13" Wide x 19" Tall</p><p>Celebrate the spirit of Fat Tuesday Dead-style with this vibrant original 1993 Mardi Gras poster, created by artist Harry Rossit for the Grateful Dead’s annual celebration at the Oakland Coliseum. Known for their festive and playful Mardi Gras shows, the Dead leaned into the pageantry with parades, costumes, and unexpected setlists.</p><p><span>Rossit’s artwork bursts with New Orleans flair, blending psychedelic motifs with traditional Mardi Gras imagery. This is an excellent condition original. The corners show light wear with faint edge rubbing, and the surface retains strong color and gloss. Overall, remarkably well-preserved with only minor signs of handling.</span></p><p>A perfect collectible for Deadheads and poster enthusiasts alike, capturing the magic of one of the Dead’s most beloved live traditions.</p><div><b>Free shipping within the United States. International shipping is available at an additional cost. If you would like more information, please email marketplace@relix.com.&nbsp;</b></div><p></p>


Mardi Gras 1993 Poster

<p>Artist - G. L. McElhaney</p><p>Details &amp; Condition - Unauthorized 2nd Printing, Excellent condition (minor edgewear and soft corners)</p><p>Size - 11 17/32” Wide x 17 1/2 “ Tall</p><div>This vibrant poster commemorates the Jerry Garcia Band’s two-night stand at the legendary Armadillo World Headquarters in Austin, Texas, on March 20–21, 1976. Designed by G. L. McElhaney, the artwork features classic 1970s style with psychedelic accents, capturing the laid-back Texas vibes and the Garcia Band’s genre-blending sound.</div><div><span>Offered here is in excellent condition with minor edgewear and soft corners, unauthorized 2nd printing, a well-preserved piece that mirrors the original design but was produced after the event without official approval. Despite its unofficial status, this version remains highly collectible due to its scarcity and visual appeal.</span></div><div><span>A must-have for JGB fans and Texas rock history buffs alike, this poster offers a colorful glimpse into one of the most beloved venues of the era and a memorable moment in Garcia’s solo touring legacy.</span></div><div><b>Free shipping within the United States. International shipping is available at an additional cost. If you would like more information, please email marketplace@relix.com.&nbsp;</b></div><p></p>


Jerry Garcia Band – Armadillo World Headquarters Poster (March 20–21, 1976)

<p><b><i>Original print • Very Good condition (noticeable edgewear, slight creasing, soft corners)</i></b></p><p><span>This poster was produced for Jerry Garcia’s 13-night solo run at the Lunt-Fontanne Theatre in New York City, held October 15–31, 1987. Billed as “Acoustic and Electric,” each show featured Garcia performing two full sets—one acoustic, one electric—supported by longtime collaborators John Kahn and David Kemper.</span></p><div><span>The clean, sharp design centers on a black-and-white photo of Garcia grinning behind a vertically positioned guitar, framed by an art-deco border. It remains one of the most iconic visuals of his post-Dead career and a standout among Bill Graham Presents material from that era.</span></div><div><b>Free shipping within the United States. International shipping is available at an additional cost. If you would like more information, please email marketplace@relix.com.&nbsp;</b></div><p></p>


Jerry Garcia – Lunt-Fontanne Theatre 1987 Poster

<p><b><i>Original program • Near-Excellent condition (light to moderate edgewear, gently softened corners)</i></b></p><p><span>This official Playbill was distributed to attendees during Jerry Garcia’s 13-night “Acoustic and Electric” solo run at the Lunt-Fontanne Theatre in New York City, held from October 15 to 31, 1987. The performances marked Garcia’s return to the stage following his 1986 diabetic coma and featured both acoustic and electric sets backed by longtime collaborators including John Kahn, David Kemper, and members of the Jerry Garcia Band.</span></p><p><span>The Playbill includes cast and crew listings, production notes, and era-specific advertisements, offering a snapshot of the Broadway scene during Garcia’s historic residency. It also features black-and-white photography and written tributes to Garcia’s influence, both within and beyond the Grateful Dead. A rare and authentic piece of memorabilia from one of the most significant solo chapters in Garcia’s career.</span></p><p><b>Free shipping within the United States. International shipping is available at an additional cost. If you would like more information, please email marketplace@relix.com.&nbsp;</b></p><p></p>


Jerry Garcia - Lunt-Fontanne Theatre Playbill (Oct 15–31, 1987 Solo Run)

<p><b><i>Original issue • Excellent condition (minor edge wear)</i></b></p><p><span>This is the original Performing Arts magazine distributed for Jerry Garcia’s run at the Wiltern Theatre in Los Angeles. The cover features Garcia in a magician’s cape, pulling the neck of his guitar from a top hat—an iconic image later used to promote his Broadway residency at the Lunt-Fontanne Theatre. This issue was printed for venues across California and Texas and includes listings and features tied to Garcia’s acoustic and electric performances during this transitional solo period.</span></p><p><span>Unlike posters or handbills, these venue programs were not widely saved, making surviving copies increasingly rare. This copy is clean and complete, with vibrant color and no interior markings. The cover shows only minor edge wear consistent with careful handling but has no tears, folds, or staining.</span></p><p><span>As a piece of printed ephemera tied to Garcia’s solo appearances outside the Grateful Dead, this program captures a moment when he brought his improvisational spirit into formal performing arts venues. A unique collectible that pairs especially well with materials from the Lunt-Fontanne run later that same year.</span></p><p><b>Free shipping within the United States. International shipping is available at an additional cost. If you would like more information, please email marketplace@relix.com.&nbsp;</b></p><p></p>


1983/1984 Concert Program

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