relix.auction

Before the mythology hardened around him, there was just Jerry — funny, curious, endlessly articulate. “A Talk with Jerry Garcia,” dated 1982, is exactly that: the man himself in conversation, a spoken-word document of how he actually thought and spoke at the height of the band's road years. For collectors, the voice is the artifact — an hour in a room with Garcia, preserved. CD.

A Talk with Jerry Garcia (1982) — CD

"The Days Between," the Hunter/Garcia song that most poignantly evokes the promise the pair felt when they began to imagine the future in the early 1960s together, now means the nine-day stretch from August 1, Garcia's birthday, to August 9, the anniversary of his passing. It's become the Dead Head's high holy days, the community's quiet, sacred time in the Grateful Dead calendar year.Relix presents a curated sale honoring Jerry Garcia, not only as a musician, but as an icon whose image became folk art for a generation. These lots trace Garcia's cultural afterlife through the objects fans made, mailed, wore, and kept, the tributes that commemorate the guitarist who became a legend and trace that remarkable path.Leading the sale is a rare color lithograph of Garcia by noted 1960s photographer Gene Anthony, depicting Garcia in 1967 at the peak of his "Captain Trips" Haight-Ashbury guise. Signed by the artist and mounted on archival board, it is unbelievably rare, a genuine standout for any serious collection. Even more rare is a Lithuanian Olympic basketball jersey bearing "Garcia" on the back. Other standouts include a life-size poster of Garcia's signature axe Rosebud, Robert Hunter's haunting poetic broadside "An Elegy for Jerry," one of the official copies mailed to Dead Heads after Garcia's passing, along with volunteer laminates from the 8/13/95 Golden Gate Park memorial, the Montserrat "Dancing Bear" Memorial Stamp Project sets, and the rare Bill Graham Presents "Jerry Garcia on Broadway" marquee mugs.Nine days. A lifetime of tributes. Bid accordingly.-- as always.

“Don't Let A Living Legend Die” — an illustrated fan tribute from The Sticker Guy, produced in the wake of Garcia's passing. It's a snapshot of how the community actually processed loss: not through official statements but through grassroots, self-published art passed hand to hand in parking lots and record shops. Set of three, and a vivid piece of the movement's DIY heart. Mint.

“Don't Let A Living Legend Die” Tribute Postcard by The Sticker Guy (Set of 3)

By 2001, Jerry Garcia had become the rarest kind of American figure — a countercultural saint printed, half in tribute and half in wink, onto his own money. This novelty commemorative “bill” puts his face where a president's would go, a cheeky nod to just how thoroughly he'd entered the national imagination. Garcia was legendarily indifferent to money. But his music was priceless. This bill celebrates both--improbably. Ironically priced and a&nbsp;guaranteed grin. Mint.

Jerry Garcia Commemorative Bill — 2001 Novelty Note

Few people realized Jerry Garcia was a serious visual artist until the early 1990s, when his abstract paintings and watercolors were licensed into the wildly successful “J. Garcia” necktie line — silk ties that smuggled his artwork into boardrooms, department stores, and Father's Day gift boxes across America, and became an unlikely fashion phenomenon. These 23 neckties come from that collection: the moment Garcia the painter quietly reached millions of people who'd never once been to a show. Mint.

J. Garcia Neckties (Set of 23)

When Todd McFarlane — the comics superstar behind Spawn — turned his hyper-detailed toy company loose on music legends, Jerry Garcia made the cut. This 2001 McFarlane figurine renders him in intricate detail on a display stand, a small act of pop-culture canonization that set Garcia on the shelf beside the icons of the action-figure age. Display-ready and instantly recognizable. A fun collectible with real shelf presence.Good condition. Crease on hang tag and damage on top of the plastic casing (see images).

Jerry Garcia Figurine by McFarlane Toys (2001)

Wolfgang's was an expression of one of Bill Graham's treasured roles, the hometown club owner who could provide an intimate place for musicians to connect with their listeners in a respectful, nurturing and deeply meaningful environment. Jerry treasured his duets with longtime friend and colleague John Kahn, but just as meaningful was the fact that he could do so at the club named for his old friend Bill, whose lifelong friendship was forged at the Trips Festival in 1966, when he saw a side of the brusk promoter that touched him deeply. These two matchbooks document the kind of deeply personal moments that Graham's vision sought to foster, giving Garcia's music the stage it needed to touch the shared humanity that inspired so many listeners. Ephemera from Wolfgang's is incredibly rare. These fragments are relics, matchbooks that speak to the sparks that could ignite when a great promoter and a great artist joined forces.This lot pairs two Wolfgang's matchbooks, each carrying a fan's handwritten note tying it to a Jerry Garcia and John Kahn appearance (one dated 8/28/1984); Kahn was Garcia's closest musical foil for two decades, the bassist at his side through nearly every side project. The attributions are the fans' own and unverified, but the romance of two matchbooks pocketed on specific nights is the whole point. Sold together as a pair. Mint and VERY Rare.

Wolfgang's Matchbooks — Two, w/ Fan Notes (Garcia & Kahn, SF) — VERY RARE

In the fall of 1987, Jerry Garcia did something almost no rock musician ever does — a multi-night run on Broadway, lighting up a New York theater marquee with his own name. This Bill Graham Presents mug commemorates that unlikely, elegant chapter, carrying the "Jerry Garcia on Broadway" marquee design with BGP's unmistakable eye for graphics. Rare, useable, and a perfect small piece of the story. Excellent.

"Jerry Garcia on Broadway" Coffee Mug — BGP Marquee Design

One of the stranger and sweeter facts of Jerry Garcia's afterlife is that sovereign nations printed the Grateful Dead onto official postage. This single lot gathers the collection's entire Garcia Memorial Stamp Project in one sweep: Montserrat's 1995 and 1996 issues alongside a 1995 Tanzania commemorative — headlined by a complete, uncut 30-stamp "Dancing Bear" sheet and rounded out with hand-numbered six-stamp sets, individual singles, and coveted first-day-postmarked examples, each accompanied by its Certificate of Authenticity. It's the whole improbable crossover of Deadhead devotion and world philately, sold together as one turnkey collection. Mint &amp; sealed.

A Talk with Jerry Garcia (1982) — CD

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