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This poster is a 1st edition from October 1972, documenting a David Bowie performance at Winterland during what is widely regarded as one of the most transformative moments in his career, the Ziggy Stardust era, when Bowie was reinventing rock performance and pushing the boundaries of identity, costume, and spectacle.Designed by Randy Tuten and measuring 13 5/8 x 22 inches, this poster represents a slight shift in the auction's timeline, bridging the classic Fillmore era of the late 1960s with the early 1970s rock scene that grew directly from it. The poster is graded Very Good with only minor handling marks, making it a clean and highly displayable example.Randy Tuten's design work for Winterland in the early 1970s is highly regarded and increasingly collected as the legacy of the San Francisco venue scene continues to grow in cultural appreciation. David Bowie posters from this era are perennially in demand among collectors of glam rock and classic rock memorabilia, and Winterland examples are particularly scarce compared to arena-era Bowie material.This is a visually striking and historically significant piece that would stand out in any collection spanning the full arc of 1960s and 1970s rock history.Domestic (United States) shipping is included in the purchase price. International shipments will be subject to additional shipping costs, to be invoiced after the auction is completed.

WIN-721027 David Bowie, Winterland | Randy Tuten | October 27-28, 1972 | First Edition

Before there was a poster, there was a performance. The Fillmore was not merely a concert venue — it was the beating heart of a cultural revolution, a room where the boundaries between artist and audience, between blues and psychedelia, between commerce and counterculture, dissolved night after night into something entirely new. This auction traces that history through the paper artifacts that announced it: original posters, handbills, and tickets spanning from April 1966, when the first shows were barely being documented, through the early 1970s, when the era was already beginning to pass into legend.From Wes Wilson's earliest experiments in flowing psychedelic typography to the intricate masterworks of Bonnie MacLean, Rick Griffin, Stanley Mouse, and Alton Kelley, the lots gathered here represent the full arc of the Fillmore's golden age — and the artists who gave it its face. Jefferson Airplane and the Grateful Dead, Jimi Hendrix and Led Zeppelin, Pink Floyd and The Doors: these are not merely names on a bill, but the building blocks of a world that still echoes in music, art, and design today. Complete sets with matching handbills and dated tickets sit alongside rare single editions, offering collectors at every level a genuine opportunity to own something irreplaceable. For those who believe that history lives in objects, this is where to look.

This poster is a 4th edition from May 1966, documenting one of the most culturally charged evenings in Fillmore history, a performance by The Velvet Underground under the auspices of Andy Warhol's Exploding Plastic Inevitable multimedia event, sharing the bill with Frank Zappa's The Mothers of Invention.Designed by Wes Wilson and measuring 13 x 19 inches, this poster sits at the intersection of two of the most influential artistic movements of the 1960s: the San Francisco psychedelic scene and the New York avant-garde pop world centered around Warhol's Factory. The poster is graded Excellent, making it one of the finest presentable examples of this historically loaded piece that a collector is likely to encounter.The convergence of Warhol, The Velvet Underground, and The Mothers of Invention on a single Fillmore bill was a genuinely extraordinary moment, and Wilson's design captures the energy of that collision beautifully. Pieces that connect the two coasts' artistic revolutions of the 1960s are perennially in demand among collectors of both rock memorabilia and pop art history. The Excellent condition means this poster would display magnificently and needs no apologies.One of the most intellectually and historically compelling lots in the auction.Domestic (United States) shipping is included in the purchase price. International shipments will be subject to additional shipping costs, to be invoiced after the auction is completed.

BG-8 Andy Warhol, The Velvet Underground, & The Mothers | Wes Wilson | May 28-29, 1966 | Excellent

This poster is a 2nd edition from June 1966, featuring Jefferson Airplane at The Fillmore in another early appearance by the band that would soon become one of the defining acts of the psychedelic era.Designed by Wes Wilson and measuring 14 1/16 x 20 inches, this is a clean, beautiful example from Wilson's prolific early run of Fillmore commissions. The poster is graded Excellent, with no significant condition concerns to report, making it a highly displayable and investment-worthy example.By mid-1966, Wilson's distinctive design language was fully established, and this poster exemplifies the flowing forms and vibrant energy that made his work so immediately recognizable and enduringly influential. Jefferson Airplane posters from this early period are consistently strong performers in the collector market, driven by deep and sustained demand from fans of the band and the broader San Francisco scene.The combination of an Excellent condition grade and a desirable early BG catalog number makes this a particularly attractive lot for collectors at any level.A wonderful piece that would anchor any collection of Fillmore or Jefferson Airplane memorabilia.Domestic (United States) shipping is included in the purchase price. International shipments will be subject to additional shipping costs, to be invoiced after the auction is completed.

BG-10 Jefferson Airplane | Wes Wilson | June 10-11, 1966 | Excellent

This poster is a 1st edition from March 1967, capturing Jefferson Airplane at The Fillmore during the period immediately surrounding the release of their landmark album Surrealistic Pillow, one of the defining records of the psychedelic era.Designed by Wes Wilson and measuring 13 11/16 x 20 1/16 inches, this is a pristine example from what many consider the peak of Wilson's creative output for the Fillmore. Graded Excellent, the poster presents beautifully with no significant condition issues, and its 1st edition status adds further desirability for serious collectors.By early 1967, Jefferson Airplane had achieved national recognition and were at the forefront of the cultural explosion centered in San Francisco, making this a particularly resonant historical document. Wilson's designs from this period are among the most reproduced and referenced in the history of graphic art, and original 1st edition examples in Excellent condition are genuinely scarce on the open market.This poster would display magnificently and represents a strong investment for collectors focused on the intersection of music history and graphic design history. A highlight lot for anyone with a passion for the Summer of Love era.Domestic (United States) shipping is included in the purchase price. International shipments will be subject to additional shipping costs, to be invoiced after the auction is completed.

BG-54 Jefferson Airplane | Wes Wilson | March 10-12, 1967 | First Edition

This poster is a 1st edition from September 1967, another Jefferson Airplane appearance at The Fillmore, but this time rendered by Greg Irons rather than the more widely celebrated Wes Wilson, making it an interesting point of comparison within a Jefferson Airplane collection. Greg Irons brought a rawer, more underground comics-influenced sensibility to his Fillmore work, and his designs occupy a distinctive niche within the broader poster art tradition of the era.Measuring 13 7/8 x 21.25 inches and graded Very Good with some creasing, this poster retains strong visual clarity and would present well in a frame.By September 1967, Jefferson Airplane were one of the biggest bands in America, fresh off a summer that included landmark festival appearances and heavy radio play, lending this piece significant cultural weight. Irons-designed Fillmore posters are somewhat less common in the collector market than Wilson or MacLean pieces, making this a potentially interesting undervalued acquisition for discerning collectors.The 1st-edition status and Very Good condition combine to make this a solid, presentable lot. A fine piece from the height of the psychedelic era.Domestic (United States) shipping is included in the purchase price. International shipments will be subject to additional shipping costs, to be invoiced after the auction is completed.

BG-85 Jefferson Airplane | Greg Irons | September 28-30, 1967 | First Edition

This is a complete set comprising a poster, handbill, and three individual night tickets from a Paul Butterfield Blues Band run at The Fillmore in July 1967, all designed by Bonnie MacLean. MacLean's work for the Fillmore is among the most celebrated in the poster art tradition, and this piece is widely considered one of her finest designs, intricate, vibrant, and deeply expressive of the psychedelic moment.The 1st edition poster measures 13 15/16 x 21 inches and is graded Excellent, as is the handbill at 4.5 x 6 15/16 inches, making the top two pieces of this set exceptional in terms of preservation. The three individual night tickets, for July 11-13/16, July 14, and July 15, are graded Good, Excellent, and Excellent, respectively, completing a well-preserved set across all three formats.The Butterfield Blues Band were one of the great live acts of the era, and their Fillmore appearances were celebrated events that drew devoted audiences.A complete set of this caliber, Excellent poster, Excellent handbill, and strong tickets, is exactly the kind of offering that serious collectors wait years to encounter. This is a beautiful and cohesive lot that showcases Bonnie MacLean's artistry at its very best.Domestic (United States) shipping is included in the purchase price. International shipments will be subject to additional shipping costs, to be invoiced after the auction is completed.

BG-72 Butterfield Blues Band | Complete Set - Poster, Handbill, & 3 Tickets | Bonnie MacLean | July 11-16, 1967 | First Edition

This is a complete set comprising a poster, handbill, and three individual night tickets from an Electric Flag, Moby Grape, and Steve Miller Blues Band run at The Fillmore in August 1967, all designed by Bonnie MacLean. This bill is a remarkable snapshot of the San Francisco scene's diversity and vitality in the summer of 1967, bringing together three acts that each represented a different dimension of the blues-rock and psychedelic fusion that defined the era.The 1st edition poster measures 14 x 21 inches and is graded Very Good; the handbill measures 4.5 x 7 inches and is also graded Very Good. The three individual night tickets, for August 8-10/13, August 11, and August 12, are all graded an exceptional Mint, making the ticket component of this set among the finest in the entire auction. The combination of a Very Good poster and handbill with three Mint tickets is a remarkable assemblage that reflects extraordinary care in preservation across all three formats.Electric Flag were at the peak of their brief but brilliant existence in August 1967, and original material from this run is genuinely scarce.A superbly preserved complete set and one of the strongest offerings in the auction from a condition standpoint.Domestic (United States) shipping is included in the purchase price. International shipments will be subject to additional shipping costs, to be invoiced after the auction is completed.

BG-77 Electric Flag, Moby Grape & Steve Miller Blues Band | Complete Set - Poster, Handbill, & 3 Tickets | Bonnie MacLean | August 8-13, 1967 | First Edition

This is a complete set comprising a poster, handbill, and three individual night tickets from a Buffalo Springfield run at The Fillmore in December 1967, designed by the legendary duo Stanley Mouse and Alton Kelley, two of the most celebrated and influential artists ever to work for the Fillmore. Mouse and Kelley's collaborative designs are among the most iconic in the history of rock poster art, and their partnership represents a creative partnership with few equals in the genre.The 1st edition (B) poster measures 11 x 21 1/8 inches and is graded Very Good; the handbill measures 5 x 7 inches and is also graded Very Good. The three individual night tickets — for December 21, 22, and 23 — are graded Excellent, Fair, and Mint, respectively, offering a full three-night run in a single lot.Buffalo Springfield were one of the great but tragically short-lived bands of the era, and their Fillmore appearances are cherished documents of a band that contained within it the seeds of several legendary subsequent careers. Sharing the bill across this three-night run were the Collectors and Hour Glass — the Los Angeles group fronted by Duane and Gregg Allman, years before the formation of the Allman Brothers Band.A complete set designed by Mouse and Kelley is a genuinely special offering, combining two of the most prestigious names in poster art history with one of the most beloved bands of the 1960s.A fitting and magnificent closing lot for Fillmore Archive Auction No. 1.Domestic (United States) shipping is included in the purchase price. International shipments will be subject to additional shipping costs, to be invoiced after the auction is completed.

WIN-721027 David Bowie, Winterland | Randy Tuten | October 27-28, 1972 | First Edition

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