Relix

Before there was a poster, there was a performance. The Fillmore was not merely a concert venue — it was the beating heart of a cultural revolution, a room where the boundaries between artist and audience, between blues and psychedelia, between commerce and counterculture, dissolved night after night into something entirely new. This auction traces that history through the paper artifacts that announced it: original posters, handbills, and tickets spanning from April 1966, when the first shows were barely being documented, through the early 1970s, when the era was already beginning to pass into legend.From Wes Wilson's earliest experiments in flowing psychedelic typography to the intricate masterworks of Bonnie MacLean, Rick Griffin, Stanley Mouse, and Alton Kelley, the lots gathered here represent the full arc of the Fillmore's golden age — and the artists who gave it its face. Jefferson Airplane and the Grateful Dead, Jimi Hendrix and Led Zeppelin, Pink Floyd and The Doors: these are not merely names on a bill, but the building blocks of a world that still echoes in music, art, and design today. Complete sets with matching handbills and dated tickets sit alongside rare single editions, offering collectors at every level a genuine opportunity to own something irreplaceable. For those who believe that history lives in objects, this is where to look.

Graded and slabbed by CGC at 9.0.This single poster is catalogued as BG 0, making it one of the earliest known Fillmore pieces on record and an extraordinarily rare artifact from the very dawn of the San Francisco psychedelic music scene.It is a 1st edition print designed by Bonnie MacLean, one of the Fillmore's most beloved and prolific poster artists, whose work helped define the visual language of the era. The poster promotes a performance by The Grass Roots and Quicksilver Messenger Service at The Fillmore in April 1966, a time when the venue was just beginning to establish itself as the epicenter of a cultural revolution.Measuring 12 5/8 x 18.5 inches, this piece presents beautifully and has been graded by CGC as 9.0, reflecting its outstanding state of preservation for a piece of this age. There are no significant flaws to report, making this an exceptional find for any serious collector.Pieces from this earliest period of Fillmore history rarely come to market in any condition, let alone one as fine as this. This is a true cornerstone lot for anyone looking to anchor a world-class collection of Fillmore memorabilia.Domestic (United States) shipping is included in the purchase price. International shipments will be subject to additional shipping costs, to be invoiced after the auction is completed.

BG-0 (CGC 9.0) The Grass Roots & Quicksilver Messenger Service | Bonnie MacLean | April 22-23, 1966 | First Edition

This single poster is a 1st edition (Edition A) from August 1966, featuring two of the most celebrated bands in San Francisco's psychedelic rock history sharing the same bill at The Fillmore. Designed by Wes Wilson, the godfather of the Fillmore poster art form and the inventor of the flowing, hard-to-read lettering style that became synonymous with the era, this piece is a quintessential example of his early work.Measuring 14.25 x 20 inches, the poster is graded Good and shows tack holes, a stain, and creases consistent with a piece that has lived a full life since 1966. While the condition reflects honest age-related wear, the graphic integrity of Wilson's design remains clearly visible and impactful.The pairing of Jefferson Airplane and the Grateful Dead on a single bill is a reminder of just how extraordinary the San Francisco live music landscape was during this period.Posters from this early BG series are highly sought after by collectors, and Wilson-designed pieces in particular command strong interest at auction. A wonderful opportunity to own an authentic piece of rock history at an accessible price.Domestic (United States) shipping is included in the purchase price. International shipments will be subject to additional shipping costs, to be invoiced after the auction is completed.

BG-23-OP-1-A Jefferson Airplane & Grateful Dead | Wes Wilson | August 12-13, 1966

This single poster is a 1st edition from October 1966, promoting an early Grateful Dead performance at Winterland, one of San Francisco's other great rock venues of the era, closely associated with Bill Graham's concert empire alongside The Fillmore.Designed by Wes Wilson, the piece showcases his signature psychedelic typography and organic design sensibility, which was already fully formed by this point in 1966. Measuring an unusually tall 11 7/8 x 24.25 inches, the format itself is a distinctive feature that sets this poster apart from standard Fillmore dimensions.The poster is graded Good and exhibits tack holes and corner creases that are entirely typical for pieces from this period. Despite the wear, the design reads clearly, and the poster retains its full visual presence.Early Grateful Dead posters from 1966 are among the most historically significant pieces a collector can acquire, as they document the band's earliest days before they became one of the most followed acts in American music history. This is a compelling and authentic artifact from the very beginning of the Dead's legendary live career.Domestic (United States) shipping is included in the purchase price. International shipments will be subject to additional shipping costs, to be invoiced after the auction is completed.

BG-30 Grateful Dead, Winterland | Wes Wilson | October 7-8, 1966 | First Edition

This poster is a 1st edition from November 1966, celebrating a performance by blues titan Muddy Waters at The Fillmore, a booking that reflects Bill Graham's deep commitment to presenting blues legends alongside the rock acts they directly inspired.Designed by Wes Wilson and measuring 13.75 x 22.5 inches, this is a striking example of Wilson's ability to translate the energy of a performance into a bold and memorable graphic statement. The poster is graded Very Good, with only minor bottom-edge paper imperfections noted, an impressive state of preservation for a nearly 60-year-old piece of concert ephemera. Muddy Waters' appearances at The Fillmore were pivotal cultural moments, introducing his music to a new generation of rock fans and cementing the cross-pollination of blues and psychedelic rock that would define the era.Posters from the BG 30s series are highly collectible, and a Very Good example like this represents excellent value. This is a beautiful piece that would be a highlight in any serious collection of Fillmore or blues memorabilia.Domestic (United States) shipping is included in the purchase price. International shipments will be subject to additional shipping costs, to be invoiced after the auction is completed.

BG-35 Muddy Waters | Wes Wilson | November 4-6, 1966 | First Edition

This single poster is a 1st edition from October 1967, drawn from the AOR (Art of Rock) series rather than the standard BG run, making it a distinctive and somewhat rarer entry in the Fillmore canon. Featuring Jefferson Airplane and Mother Earth at The Fillmore, the poster was designed by Jim Blashfield, whose work brought a unique visual sensibility to the psychedelic poster tradition.Measuring 13 7/8 x 19.75 inches and graded Excellent, this is a pristine example that has survived over five decades in outstanding condition. The AOR series is sometimes overlooked in favor of the more widely collected BG series, but pieces like this represent a genuine opportunity to acquire high-quality Fillmore material at strong value. Jefferson Airplane was at the absolute peak of their popularity and cultural influence in late 1967, making this a historically resonant piece as well as a visually compelling one.The Excellent grade means there are no significant condition concerns, and this poster would display beautifully framed. A wonderful addition for collectors of Jefferson Airplane material, AOR series posters, or Fillmore history more broadly.Domestic (United States) shipping is included in the purchase price. International shipments will be subject to additional shipping costs, to be invoiced after the auction is completed.

AOR 2.89 Jefferson Airplane & Mother Earth | Jim Blashfield | Oct 29, 1967 | Excellent

This is a rare and exciting complete set comprising a poster, handbill, and ticket from the November 1967 Pink Floyd, Big Brother &amp; The Holding Company, and Richie Havens shows at The Fillmore and Winterland, one of the most historically significant bills ever to grace either venue.All three pieces were designed by Bonnie MacLean and together represent a matched set that is exceptionally difficult to assemble. The first edition poster measures 14 1/16 x 21 1/8 inches and is graded Fair, showing tack holes, creases, and black marker in the top-right corner, with wear that is understandable given the poster's age and the cultural moment it captures. By contrast, the handbill (4.5 x 7 inches) is in Excellent condition, and the ticket (2.5 x 4 3/8 inches) is a stunning Mint example, making the overall set a beautifully balanced offering across three different formats.Pink Floyd's early American appearances are among the most coveted subjects in all of rock memorabilia collecting — and this run holds special distinction as the band's United States debut, making pieces from this specific engagement genuinely singular. The combination of all three formats in a single lot is an extraordinary opportunity that rarely presents itself. This complete set would be a crown jewel in any serious collection.Domestic (United States) shipping is included in the purchase price. International shipments will be subject to additional shipping costs, to be invoiced after the auction is completed.

BG-91 Pink Floyd, Richie Havens, & Big Brother and the Holding Company | Complete Set - First Edition Poster, Handbill, & Ticket | Bonnie MacLean | November 2-4, 1967

This poster is a first edition from November 1967, documenting a performance by The Doors at The Fillmore during one of the band's most exciting periods.Designed by Jim Blashfield and measuring 14 x 21.25 inches, the poster is graded Good and shows one tack hole in each corner, paper loss, and tape on the back, condition issues that are common for pieces that were displayed and handled during their original use. While the condition is not without flaws, the poster retains its full graphic impact and remains a highly recognizable and desirable piece.The Doors were at the height of their fame and mystique in late 1967, and original concert posters from this period are among the most sought-after items in rock memorabilia. Jim Blashfield's design work for the Fillmore is less widely known than that of Wilson or MacLean, making this an interesting piece for collectors who appreciate the full breadth of the venue's artistic output. The 3rd edition designation means this is not the most scarce version, but it remains a genuinely authentic artifact from a legendary band's peak years.A strong addition to any Doors or Fillmore collection.Domestic (United States) shipping is included in the purchase price. International shipments will be subject to additional shipping costs, to be invoiced after the auction is completed.

BG-93 The Doors |  Jim Blashfield | November 16-18, 1967 | First Edition

This single poster is a signed 2nd edition from February 1968, featuring The Jimi Hendrix Experience and John Mayall at both The Fillmore and Winterland, a remarkable double-venue billing that speaks to the scale and ambition of Bill Graham's concert productions during this period. Designed by Rick Griffin, one of the true titans of psychedelic poster art and a pivotal figure in the broader underground art movement of the 1960s, this piece carries significant artistic and historical weight.Measuring 14 x 21 11/16 inches, the poster is graded Poor with creases throughout and staining, reflecting a difficult preservation history. However, the poster carries the exceptional distinction of being hand-signed, a factor that substantially elevates its desirability and collectibility regardless of condition grade.Jimi Hendrix material is among the most passionately collected in all of rock history, and a signed Griffin-designed poster from a 1968 Fillmore show is a genuinely extraordinary artifact.Even in poor condition, the combination of Hendrix, Griffin, and a hand signature makes this one of the most significant pieces in the auction.Collectors who prioritize provenance and historical significance over cosmetic condition will find this lot particularly compelling.Domestic (United States) shipping is included in the purchase price. International shipments will be subject to additional shipping costs, to be invoiced after the auction is completed.

BG-105 The Jimi Hendrix Experience & John Mayall | Rick Griffin (Signed) | February 1-4, 1968

This is a complete set comprising a poster, handbill, and four individual night tickets from a Grateful Dead and Quicksilver Messenger Service run at The Fillmore West in November 1968, a multi-night engagement that captures both bands at a creatively fertile moment. All pieces were designed by Lee Conklin, whose intricate, densely detailed style made him one of the most distinctive voices among the Fillmore's roster of poster artists.The 1st edition poster measures 14 1/16 x 20 3/8 inches, is graded Good with corner dings, and retains a strong visual presence despite its wear. The handbill is graded Good, and the four individual night tickets, covering November 7, 8, 9, and 10, range in condition from Good to Excellent, with the November 10 ticket in particularly fine shape.The inclusion of all four night tickets is a remarkable feature of this lot, as individual tickets from specific show dates are notoriously difficult to locate decades after the fact. Complete sets of this scope, poster, handbill, and a full run of dated tickets, are exceptionally rare and represent the holy grail for many Grateful Dead collectors.This lot is a standout offering and a once-in-a-while opportunity for serious collectors of Dead or Fillmore material.Domestic (United States) shipping is included in the purchase price. International shipments will be subject to additional shipping costs, to be invoiced after the auction is completed.

BG-144 Grateful Dead & Quicksilver Messenger Service | Complete Set - Poster, Handbill, & 4 Tickets | Lee Conklin | November 7-10, 1968 | First Edition

This is a complete set comprising a signed poster, handbill, and three individual night tickets from Led Zeppelin's legendary April 1969 run at The Fillmore West and Winterland, one of the most celebrated engagements in the band's early American touring history.The 2nd edition poster was designed by Randy Tuten and Peter Pynchon, measures 13 15/16 x 21 inches, and bears a hand signature by Randy Tuten himself, adding a personal and provenance-rich dimension to an already significant piece. The poster is graded Fair with handling marks and creases, described as a "lot copy," but the handbill is in Very Good condition, and the three individual night tickets for April 24, 25, and 26 are graded Very Good, Excellent, and Excellent, respectively.Led Zeppelin's early Fillmore appearances are among the most mythologized in rock history, predating their rise to the stadium-level fame that would define the 1970s, and original material from this period is extraordinarily scarce. The combination of a Tuten-signed poster, a near-complete run of dated tickets, and a handbill in a single lot is a remarkable assemblage that would be nearly impossible to replicate on the open market.This is, without question, one of the marquee lots of the auction and a genuine trophy piece for any serious collector of classic rock memorabilia.Domestic (United States) shipping is included in the purchase price. International shipments will be subject to additional shipping costs, to be invoiced after the auction is completed.

BG-170 Led Zeppelin | Complete Set - Poster, Handbill, & 3 Tickets | Randy Tuten (Signed) | Apr 24-26, 1969 

This partial set comprises a poster and three individual night tickets from a Grateful Dead and New Riders of the Purple Sage run at The Fillmore West in June 1970, designed by David Singer. Singer's work for the Fillmore is characterized by a more refined, painterly approach that distinguished him from the rawer psychedelic energy of his predecessors, and this piece is a fine example of his mature style.The 2nd edition poster measures 14 x 21 inches and is graded an impressive Excellent, making it one of the finest condition examples in the auction. The three individual night tickets, for June 4, 5, and 6, are graded Good, Excellent, and Excellent respectively, rounding out a strong set across all formats represented. This run took place during the final chapter of the original Fillmore West, which closed its doors in 1971, lending these pieces additional historical significance as documents of the venue's final creative years.The New Riders of the Purple Sage were closely associated with the Grateful Dead during this period, with Dead members frequently sitting in, making this a particularly resonant piece for fans of both acts. A beautifully preserved lot that combines an Excellent condition poster with a strong run of matching tickets.Domestic (United States) shipping is included in the purchase price. International shipments will be subject to additional shipping costs, to be invoiced after the auction is completed.

BG-237 Grateful Dead & New Riders of the Purple Sage | Poster & 3 Tickets | David Singer | June 4-6, 1970 | Excellent

This single poster is a 3rd edition from February 1966, making it one of the oldest pieces in the entire auction and a document of the very earliest days of the Fillmore's history as a rock venue.Designed by Peter Bailey and measuring 14 5/16 x 19 15/16 inches, this poster predates the emergence of the now-iconic Fillmore visual style that would later that same year be defined by Wes Wilson. The piece is graded Very Good and shows edge imperfections, trimmed edges, and minor rips and creases, entirely understandable for a piece approaching 60 years of age.Jefferson Airplane was one of the pioneering acts of the San Francisco psychedelic scene, and their early Fillmore appearances, documented here, represent the ground floor of what would become a cultural phenomenon.BG 1 is one of the most symbolically significant catalog numbers in the entire Fillmore series, and examples in any condition are keenly sought by serious collectors. The Very Good grade makes this a presentable and displayable example of one of the rarest and most historically important Fillmore posters.An exceptional opportunity to acquire a piece of genuine rock history from the very beginning.Domestic (United States) shipping is included in the purchase price. International shipments will be subject to additional shipping costs, to be invoiced after the auction is completed.

BG-1 Jefferson Airplane | Peter Bailey | February 4-6, 1966 | Very Good

This poster is a 4th edition from May 1966, documenting one of the most culturally charged evenings in Fillmore history, a performance by The Velvet Underground under the auspices of Andy Warhol's Exploding Plastic Inevitable multimedia event, sharing the bill with Frank Zappa's The Mothers of Invention.Designed by Wes Wilson and measuring 13 x 19 inches, this poster sits at the intersection of two of the most influential artistic movements of the 1960s: the San Francisco psychedelic scene and the New York avant-garde pop world centered around Warhol's Factory. The poster is graded Excellent, making it one of the finest presentable examples of this historically loaded piece that a collector is likely to encounter.The convergence of Warhol, The Velvet Underground, and The Mothers of Invention on a single Fillmore bill was a genuinely extraordinary moment, and Wilson's design captures the energy of that collision beautifully. Pieces that connect the two coasts' artistic revolutions of the 1960s are perennially in demand among collectors of both rock memorabilia and pop art history. The Excellent condition means this poster would display magnificently and needs no apologies.One of the most intellectually and historically compelling lots in the auction.Domestic (United States) shipping is included in the purchase price. International shipments will be subject to additional shipping costs, to be invoiced after the auction is completed.

BG-8 Andy Warhol, The Velvet Underground, & The Mothers | Wes Wilson | May 28-29, 1966 | Excellent

This poster is a 2nd edition from June 1966, featuring Jefferson Airplane at The Fillmore in another early appearance by the band that would soon become one of the defining acts of the psychedelic era.Designed by Wes Wilson and measuring 14 1/16 x 20 inches, this is a clean, beautiful example from Wilson's prolific early run of Fillmore commissions. The poster is graded Excellent, with no significant condition concerns to report, making it a highly displayable and investment-worthy example.By mid-1966, Wilson's distinctive design language was fully established, and this poster exemplifies the flowing forms and vibrant energy that made his work so immediately recognizable and enduringly influential. Jefferson Airplane posters from this early period are consistently strong performers in the collector market, driven by deep and sustained demand from fans of the band and the broader San Francisco scene.The combination of an Excellent condition grade and a desirable early BG catalog number makes this a particularly attractive lot for collectors at any level.A wonderful piece that would anchor any collection of Fillmore or Jefferson Airplane memorabilia.Domestic (United States) shipping is included in the purchase price. International shipments will be subject to additional shipping costs, to be invoiced after the auction is completed.

BG-10 Jefferson Airplane | Wes Wilson | June 10-11, 1966 | Excellent

This poster is a 1st edition from March 1967, capturing Jefferson Airplane at The Fillmore during the period immediately surrounding the release of their landmark album Surrealistic Pillow, one of the defining records of the psychedelic era.Designed by Wes Wilson and measuring 13 11/16 x 20 1/16 inches, this is a pristine example from what many consider the peak of Wilson's creative output for the Fillmore. Graded Excellent, the poster presents beautifully with no significant condition issues, and its 1st edition status adds further desirability for serious collectors.By early 1967, Jefferson Airplane had achieved national recognition and were at the forefront of the cultural explosion centered in San Francisco, making this a particularly resonant historical document. Wilson's designs from this period are among the most reproduced and referenced in the history of graphic art, and original 1st edition examples in Excellent condition are genuinely scarce on the open market.This poster would display magnificently and represents a strong investment for collectors focused on the intersection of music history and graphic design history. A highlight lot for anyone with a passion for the Summer of Love era.Domestic (United States) shipping is included in the purchase price. International shipments will be subject to additional shipping costs, to be invoiced after the auction is completed.

BG-54 Jefferson Airplane | Wes Wilson | March 10-12, 1967 | First Edition

This poster is a 1st edition from September 1967, another Jefferson Airplane appearance at The Fillmore, but this time rendered by Greg Irons rather than the more widely celebrated Wes Wilson, making it an interesting point of comparison within a Jefferson Airplane collection. Greg Irons brought a rawer, more underground comics-influenced sensibility to his Fillmore work, and his designs occupy a distinctive niche within the broader poster art tradition of the era.Measuring 13 7/8 x 21.25 inches and graded Very Good with some creasing, this poster retains strong visual clarity and would present well in a frame.By September 1967, Jefferson Airplane were one of the biggest bands in America, fresh off a summer that included landmark festival appearances and heavy radio play, lending this piece significant cultural weight. Irons-designed Fillmore posters are somewhat less common in the collector market than Wilson or MacLean pieces, making this a potentially interesting undervalued acquisition for discerning collectors.The 1st-edition status and Very Good condition combine to make this a solid, presentable lot. A fine piece from the height of the psychedelic era.Domestic (United States) shipping is included in the purchase price. International shipments will be subject to additional shipping costs, to be invoiced after the auction is completed.

BG-85 Jefferson Airplane | Greg Irons | September 28-30, 1967 | First Edition

This poster is a 1st edition from October 1972, documenting a David Bowie performance at Winterland during what is widely regarded as one of the most transformative moments in his career, the Ziggy Stardust era, when Bowie was reinventing rock performance and pushing the boundaries of identity, costume, and spectacle.Designed by Randy Tuten and measuring 13 5/8 x 22 inches, this poster represents a slight shift in the auction's timeline, bridging the classic Fillmore era of the late 1960s with the early 1970s rock scene that grew directly from it. The poster is graded Very Good with only minor handling marks, making it a clean and highly displayable example.Randy Tuten's design work for Winterland in the early 1970s is highly regarded and increasingly collected as the legacy of the San Francisco venue scene continues to grow in cultural appreciation. David Bowie posters from this era are perennially in demand among collectors of glam rock and classic rock memorabilia, and Winterland examples are particularly scarce compared to arena-era Bowie material.This is a visually striking and historically significant piece that would stand out in any collection spanning the full arc of 1960s and 1970s rock history.Domestic (United States) shipping is included in the purchase price. International shipments will be subject to additional shipping costs, to be invoiced after the auction is completed.

WIN-721027 David Bowie, Winterland | Randy Tuten | October 27-28, 1972 | First Edition

This is a complete set comprising a poster, handbill, and three individual night tickets from a Paul Butterfield Blues Band run at The Fillmore in July 1967, all designed by Bonnie MacLean. MacLean's work for the Fillmore is among the most celebrated in the poster art tradition, and this piece is widely considered one of her finest designs, intricate, vibrant, and deeply expressive of the psychedelic moment.The 1st edition poster measures 13 15/16 x 21 inches and is graded Excellent, as is the handbill at 4.5 x 6 15/16 inches, making the top two pieces of this set exceptional in terms of preservation. The three individual night tickets, for July 11-13/16, July 14, and July 15, are graded Good, Excellent, and Excellent, respectively, completing a well-preserved set across all three formats.The Butterfield Blues Band were one of the great live acts of the era, and their Fillmore appearances were celebrated events that drew devoted audiences.A complete set of this caliber, Excellent poster, Excellent handbill, and strong tickets, is exactly the kind of offering that serious collectors wait years to encounter. This is a beautiful and cohesive lot that showcases Bonnie MacLean's artistry at its very best.Domestic (United States) shipping is included in the purchase price. International shipments will be subject to additional shipping costs, to be invoiced after the auction is completed.

BG-72 Butterfield Blues Band | Complete Set - Poster, Handbill, & 3 Tickets | Bonnie MacLean | July 11-16, 1967 | First Edition

This is a complete set comprising a poster, handbill, and three individual night tickets from an Electric Flag, Moby Grape, and Steve Miller Blues Band run at The Fillmore in August 1967, all designed by Bonnie MacLean. This bill is a remarkable snapshot of the San Francisco scene's diversity and vitality in the summer of 1967, bringing together three acts that each represented a different dimension of the blues-rock and psychedelic fusion that defined the era.The 1st edition poster measures 14 x 21 inches and is graded Very Good; the handbill measures 4.5 x 7 inches and is also graded Very Good. The three individual night tickets, for August 8-10/13, August 11, and August 12, are all graded an exceptional Mint, making the ticket component of this set among the finest in the entire auction. The combination of a Very Good poster and handbill with three Mint tickets is a remarkable assemblage that reflects extraordinary care in preservation across all three formats.Electric Flag were at the peak of their brief but brilliant existence in August 1967, and original material from this run is genuinely scarce.A superbly preserved complete set and one of the strongest offerings in the auction from a condition standpoint.Domestic (United States) shipping is included in the purchase price. International shipments will be subject to additional shipping costs, to be invoiced after the auction is completed.

BG-77 Electric Flag, Moby Grape & Steve Miller Blues Band | Complete Set - Poster, Handbill, & 3 Tickets | Bonnie MacLean | August 8-13, 1967 | First Edition

This is a complete set comprising a poster, handbill, and three individual night tickets from a Buffalo Springfield run at The Fillmore in December 1967, designed by the legendary duo Stanley Mouse and Alton Kelley, two of the most celebrated and influential artists ever to work for the Fillmore. Mouse and Kelley's collaborative designs are among the most iconic in the history of rock poster art, and their partnership represents a creative partnership with few equals in the genre.The 1st edition (B) poster measures 11 x 21 1/8 inches and is graded Very Good; the handbill measures 5 x 7 inches and is also graded Very Good. The three individual night tickets — for December 21, 22, and 23 — are graded Excellent, Fair, and Mint, respectively, offering a full three-night run in a single lot.Buffalo Springfield were one of the great but tragically short-lived bands of the era, and their Fillmore appearances are cherished documents of a band that contained within it the seeds of several legendary subsequent careers. Sharing the bill across this three-night run were the Collectors and Hour Glass — the Los Angeles group fronted by Duane and Gregg Allman, years before the formation of the Allman Brothers Band.A complete set designed by Mouse and Kelley is a genuinely special offering, combining two of the most prestigious names in poster art history with one of the most beloved bands of the 1960s.A fitting and magnificent closing lot for Fillmore Archive Auction No. 1.Domestic (United States) shipping is included in the purchase price. International shipments will be subject to additional shipping costs, to be invoiced after the auction is completed.

The Fillmore Era: Posters, Tickets, and Handbills from Rock's Golden Age, 1966-1972