Flux Factory

Joshua Goode: The Death Eater, 2023,&nbsp;Sculpture, bronze, 6 x 3 x 3 inches, Unique, signed on bottomBio: Joshua Goode is an interdisciplinary artist whose work reimagines pop culture relics from his youth as ancient artifacts, using alternate history and mythology to explore the construction and distortion of historical narratives. With a background in archaeology and an MFA from Boston University, Goode stages performative excavations around the world, collaborating with local communities to create site-specific interventions. These fictional digs blur the boundaries between fact and fiction, inviting viewers to question the authenticity of cultural memory and the mechanisms through which history is shaped.Goode’s work has been exhibited internationally at institutions such as the Razliv Museum (Russia), Capellades Museum (Spain), Himalayas Museum (China), Monchskirchein Museum (Germany), and The Modern Art Museum of Fort Worth (USA). His artifacts are held in public collections including Colección SOLO (Spain), Alfardan Collection (Qatar), and the U.S. Naval Academy Museum (USA). He has participated in artist residencies across Europe and the U.S. and contributed to archaeological research at the prehistoric Vogelherd Cave in Germany.Weight: 2lbs

Joshua Goode: The Death Eater

Flux Factory’s Art Auction is back! You can bid on works by over 50 Fluxers and friends.The auction will culminate with our <a target="_blank" rel="noopener noreferrer nofollow" href="https://withfriends.events/event/8G1IGCy5/flux-factory-2025-art-auction-gala/">Gala</a> on October 23, from 6:30 to 9:30 PM at 55 Suffolk. Join us to see the artworks in person, enjoy a catered open bar, and take in the lovely view of downtown Manhattan.Bidding will remain open throughout the evening and officially closes at 9:00 PM, so make sure to get your final bids in on time!This annual Auction &amp; Gala supports Flux’s free public programs and affordable artist residencies.<a target="_blank" rel="noopener noreferrer nofollow" href="https://withfriends.events/event/8G1IGCy5/flux-factory-2025-art-auction-gala/">Buy Gala Tickets Here</a>

Gino Romero: draft_final_1, 2025,&nbsp;Color Pencil on Bolívar, 6 x 2.75 inches, Unique, Signed on versoPart of a previously displayed series, this unique work was made for the Flux Factory 2025 Auction.Bio:&nbsp;Gino Romero (b. 1997, Miami) holds an MFA from Parsons School of Design and BA from Florida State University. An ordained minister, archivist, and educator, currently based in Queens, NY. Exhibited internationally and part of major collections.<a target="_blank" rel="noopener noreferrer nofollow" href="https://www.ginoromero.com/">https://www.ginoromero.com/</a>

Gino Romero: draft_final_1

Greg Stewart: Seedle Seedle Seedle Sweet Sweet Sweet, 2024,&nbsp;Pencil and Oil Stick on Vellum, 11 x 8.5 inches (Framed: 14.5 x 11 x 1.5 inches), Unique, signed on verso, framed Previously appeared in Jen de los Reyes's exhibition "Disappearing Birds of North America".Bio:&nbsp;Greg Stewart is an artist and educator living in Virginia for the past 22 years. Alongside his individual arts practice, he is a primary collaborator in the collective Kosmologym. Kosmologym is an art and game design collective combining art, science, and sports. Greg’s individual practice is inspired by the proliferation of citizen artists and scientists within local communities. It recognizes our backyards as places to study global diversity, embracing the role of the imperfect interpreter, or amateur, in all of us.Exhibitions include Tiger Strikes Asteroid: GVL; CEPA Gallery; MOCA, Arlington; Swale/Urban Soils Institute Governor's Island; Franconia Sculpture Park and Taft Nicholson Center for Environmental Humanities.

Greg Stewart: Seedle Seedle Seedle Sweet Sweet Sweet

Jevijoe Vitug: “A Life Imagined”, 2015Oil on Canvas, 24 x 24 x 1.5 inches, Unique"A Life Imagined" is part of a series exploring the experiences of immigrants of color who came to the United States as nurses in the 1960s. The painting is rendered in textured brushstrokes that echo indigenous Southeast Asian patterns, while AI-aided tools create a portrait that feels simultaneously digitalized and deeply “indigenized.” The work reflects on the often-overlooked history of Asian American labor and examines the identity, intimacy, and resilience inherent in acts of care, connecting these narratives to the American Dream—the hope and imagination of a better life, and the pursuit of opportunity and belonging in a new land.Bio: Jevijoe Vitug is a Philippine-born painter based in New York City whose work bridges labor, migration, and identity within contemporary and digital culture. Using AI-aided painting and drawing from indigenous traditions, he reimagines everyday labor as a creative and transformative act. He is also part of the artist duo Abang-guard with Maureen Catbagan, exploring collaboration, community, and the politics of visibility through performance and social practice.Vitug has exhibited in the United States, the Philippines, Japan, Denmark, Singapore and Germany, including venues such as the Metropolitan Museum of Art, Queens Museum, Socrates Sculpture Park, ARoS Aarhus Art Museum and Cultural Center of the Philippines. He is a Flux Factory artist-in-residence and member since 2017, contributing to its collaborative and experimental art community. Vitug holds an MFA from the San Francisco Art Institute, and his practice engages with digital technology, cultural heritage, and creative experimentation.Instagram: @jevijoe

Jevijoe Vitug: “A Life Imagined”

Jodie Lyn-Kee-Chow: Moon Garden, 2021,&nbsp;Ink on Paper, 10 x 8 inches (framed: 15 x 12.25 x 1.25 inches), Unique, signed&nbsp;Line drawing of bamboo inserted in a brick. Previously shown at Five Myles "Daughters of Lamb".Bio:&nbsp;Jodie Lyn-Kee-Chow is a Jamaican-American interdisciplinary artist based in NYC who draws from nostalgia for her homeland, Caribbean folklore, fantasy, feminism, globalism, spirituality, environmentalism, and colonial narratives in works ranging from drawing, installation, and performance. She holds a BFA with honors from the University of Florida and an MFA from Hunter College.Lyn-Kee-Chow’s work has been exhibited in the Queens Museum, Who Takes Care of New York? Queens, NY (2019); The Wing Luke Museum of the Asian Pacific Experience, Guilty Party, Seattle, WA (2020) as well as The James Gallery CUNY Graduate Center, Textures of Feminist Perseverance, New York, NY (2024). Solo exhibitions include Picnic Parade at the Chinese Historical Society of America, San Francisco, CA (2022) and Junkanooacome at Five Myles, Brooklyn, NY (2022). Lyn-Kee-Chow co-authored Living Histories of Sugar in the Caribbean and Scotland: Transnationalisms, Performance and Co-creation, a project funded by the Arts and Humanities Research Council and presented in Kingston, JA, and Greenock and Edinburgh in Scotland (2022). She is the recipient of awards including the New York Foundation for the Arts Fellowship (2012), Rema Hort Mann Artist in Community Engagement (2017), Franklin Furnace Fund (2017-18), Culture Push Fellowship for Utopian Practice (2018), and Queens Art Fund (2019, 2024). Lyn-Kee-Chow has also received the Bronx Museum AIM Fellowship (2024), KODA Residency on Governors Island, NY (2023), Residency Unlimited, Brooklyn, NY (2023), Wave Hill Winter Workspace (2022) and is an inaugural artist fellow of Triangle Arts, Brooklyn, NY (2022). Recent recognition includes being shortlisted for Creative Capital (2022) and nominated for Anonymous Was a Woman (2024). Publications include The New York Times, Hyperallergic, White Hot Magazine, and Artsy. Lyn-Kee-Chow’s work is in private and public collections including the Museum of Chinese in America, Wing Luke Museum, and the National Gallery of Jamaica.

Jodie Lyn-Kee-Chow: Moon Garden

Kendal Henry: Exclusive Public Art Tour&nbsp;Exclusive Public Art Tour with Kendal HenryLOT 1 OF 2 (up to 5 of 10 slots)<a target="_blank" rel="noopener noreferrer nofollow" href="https://www.basta.app/fluxauction/2025/kendal-henry-exclusive-public-art-tour">LOT 2 here</a>Join renowned curator and public art leader Kendal Henry for a one-of-a-kind, behind-the-scenes tour exploring some of New York City’s most compelling public artworks.This intimate experience is limited to just 10 participants and will last approximately 3 hours. Along the way, Kendal will share insider stories, curatorial insights, and the hidden histories behind iconic projects as well as unexpected gems scattered throughout the city.Don’t miss this chance to see the city’s art in a whole new light—through the eyes of someone who has spent decades shaping New York’s public art landscape.

Kendal Henry: Exclusive Public Art Tour LOT 1 OF 2 (up to 5 of 10 slots)

Exclusive Public Art Tour with Kendal HenryLOT 2 OF 2 (5 of 10 slots)<a target="_blank" rel="noopener noreferrer nofollow" href="https://www.basta.app/fluxauction/2025/kendal-henry-exclusive-public-art-tour-lot-1-of-2-up-to-5-of-10-slots">LOT 1 here</a>Join renowned curator and public art leader Kendal Henry for a one-of-a-kind, behind-the-scenes tour exploring some of New York City’s most compelling public artworks.This intimate experience is limited to just 10 participants and will last approximately 3 hours. Along the way, Kendal will share insider stories, curatorial insights, and the hidden histories behind iconic projects as well as unexpected gems scattered throughout the city.Don’t miss this chance to see the city’s art in a whole new light—through the eyes of someone who has spent decades shaping New York’s public art landscape.

Kendal Henry: Exclusive Public Art Tour LOT 2 OF 2 (5 of 10 slots)

Li-Ming Hu: Composition, 2025,&nbsp;Faux fur on canvas, 16 x 12 x .75 inches, Limited Edition: 1 of 3, signed on VersoPreviously exhibited at Theater for the New City.Bio: Li-Ming Hu is an interdisciplinary artist, occasional writer and recovering actor from Aotearoa/New Zealand who is currently based in New York City. Often employing a carnivalesque sensibility, her work engages with the imperatives of our high performance culture, and draws on her experiences in the entertainment industry to explore the relationships between cultural production and the performance of subjectivities. She has an MFA from the School of the Art Institute of Chicago and held residencies at the Skowhegan School of Painting and Sculpture, Flux Factory and the International Studio and Curatorial Program, NYC. Her exhibition Likenesses, with Charmaine Poh, is up at the Goethe Institute NYC until December 4.

Li-Ming Hu: Composition

Maureen Catbagan: Light Tunnels: Chelsea Gallery Elevator, NY, 2014-15,&nbsp;Digital C-print, 8.5 x 11 inches, Open Edition, Signed on versoThe series is a meditation on visibility, invisibility, and meanings of access. Overlooked windows, shafts, elevators, and lobbies of museums and famous architectural buildings transform into sublime openings.&nbsp;Bio: Maureen Catbagan is a multi-media artist based in New York whose work engages social collectivity and explores the intersections of immigration, labor, and visibility. Collaborative projects include Abang-guard with artist Jevijoe Vitug, and the Yams Collective. Catbagan has exhibited in venues such as the Queens Museum, 601Artspace, PS 122 Gallery, The Center for Book Arts, Governors Island in New York, and The Contemporary Museum of Honolulu. They have performed in venues such as The Metropolitan Museum of Art, Abrons Art Center, DUMBO Art in New York, and Art Quarter Budapest. Fellowships and grants include the 2025 NYSCA-Support for Artists Grant, the 2025 NYFA-Queens Art Fund, and the 2024-25 Queens Museum-Jerome Foundation Fellowship for Emerging Artists amongst others.

Joshua Goode: The Death Eater

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