Flux Factory

Flux Factory’s Art Auction is back! You can bid on works by over 50 Fluxers and friends.The auction will culminate with our <a target="_blank" rel="noopener noreferrer nofollow" href="https://withfriends.events/event/8G1IGCy5/flux-factory-2025-art-auction-gala/">Gala</a> on October 23, from 6:30 to 9:30 PM at 55 Suffolk. Join us to see the artworks in person, enjoy a catered open bar, and take in the lovely view of downtown Manhattan.Bidding will remain open throughout the evening and officially closes at 9:00 PM, so make sure to get your final bids in on time!This annual Auction &amp; Gala supports Flux’s free public programs and affordable artist residencies.<a target="_blank" rel="noopener noreferrer nofollow" href="https://withfriends.events/event/8G1IGCy5/flux-factory-2025-art-auction-gala/">Buy Gala Tickets Here</a>

Mark Dion: Mosquito – An Authoritarian Checklist, 2025,one-color screenprint, 16 x 25 in. limited edition of 10, AP II/IV, Signed and numbered frontMosquito – An Authoritarian Checklist are one-color screenprints measuring 16 x 25 in. (40.64 x 63.4 cm) and 15 3⁄4 x 24 in. (40 x 60.9 cm), printed each in an edition of 10 on Arches 88 paperMark Dion was born in New Bedford, Massachusetts in 1961. He received a BFA (1986) and an honorary doctorate (2003) from the University of Hartford, Hartford Art School, and attended the Whitney Museum of American Art's Independent Study Program. He also has an Honorary Doctor of Humane Letters (Ph.D.) from The Wagner Free Institute of Science in Philadelphia (2015) and University of Massachusetts (2023).Dion’s work examines the ways in which dominant ideologies and public institutions shape our understanding of history, knowledge, and the natural world. Appropriating archaeological, field ecology and other scientific methods of collecting, ordering, and exhibiting objects, Dion creates works that question the distinctions between ‘objective’ (‘rational’) scientific methods and ‘subjective’ (‘irrational’) influences, charting how ideology and pseudoscience infiltrate scientific discourse.

Mark Dion: Mosquito – An Authoritarian Checklist

Natalia Nakazawa: The Grass Beneath, 2023,&nbsp;mixed stoneware and underglaze, 8.5 x 6 x 4, UniqueBio: Natalia Nakazawa is a Queens-based interdisciplinary artist and educator working in painting, textiles and social practice. A child of Latin American (Uruguayan) and Asian (Japanese American, yonsei, 4th generation) diasporas, her work is deeply in touch with multi-generational cultural legacies. Natalia’s community-driven projects explore ideas of transnationality, cultural identities, storytelling, archives, and patterns of migration. Blurring the boundaries between education, activism, and art making, each of her projects is based in collaborative processes, inviting participation and collective imagining. In her jacquard textiles series, the artist pulls images from the online open access collections with a focus on objects that embody historical moments of cultural exchange. Nakazawa’s work encourages critical engagement with personal histories, utilizing the familiar, warm format of the tapestry as a means of creating objects that can be simultaneously comforting and disruptive.Natalia received her MFA in studio practice from California College of the Arts, a MSEd from Queens College, and a BFA in painting from the Rhode Island School of Design. Her work has recently been exhibited at Wave Hill (Bronx, NY), Arlington Arts Center (Washington, DC), Transmitter Gallery (Brooklyn, NY), The Metropolitan Museum of Art (New York, NY), The Cleveland Institute of Art (Cleveland, OH), Wassaic Project (Wassaic, NY), Lafayette College Galleries (Easton, PA), and The Old Stone House in Brooklyn (NY). Natalia has been an artist in residence at The Children’s Museum of Manhattan, MASS MoCA, SPACE on Ryder, Wassaic Project, Facebook AIR, Interlude Artist Residency, CAMPO Garzon, Triangle Arts Association, and Wave Hill Winter Workspace.<a target="_blank" rel="noopener noreferrer nofollow" href="https://www.natalianakazawa.com/">https://www.natalianakazawa.com/</a>

Natalia Nakazawa: The Grass Beneath

Allen Frame: Chimney Sweep, Budapest, 1993, selenium-toned silver gelatin print, fiber analog vintage print 11”h x 14”w, signed on versoopen addition: unique in this size; (editioned as 30"x40" ed of 3; at 20" x 24" ed of 9), framedAllen Frame’s photographs evoke the psychological subtext of quotidian experience and suggest the ambiguous relationship between situation, place, and time.He is an artist, writer, curator, and educator based in New York, and Rome Prize winner in 2017/18.Frame’s work is represented by Gitterman Gallery and will be included in the exhibition A Naked Chair with Dieter Hall and a video with Alvin Baltrop by Joseph Lovett at Kupper Modern in Zurich this fall. He teaches photography at Pratt Institute, School of Visual Arts, the International Center of Photography and <a target="_blank" rel="noopener noreferrer nofollow" href="http://strudelmedialive.com">strudelmedialive.com</a>

Allen Frame: Chimney Sweep, Budapest 

Danny Crump: Trivial Pursuits Pie Plates, 2025,&nbsp;Porcelain, 1.5 x 6 x 4 inches, Limited Edition: 1-6 of 48, signed on verso These pie plates are part of a series of dishes created for Trivial Pursuits Dinner Party.Bio: Danny Crump is a visual artist working in sculpture, video and ceramics. He co-directs Springboard Collective, holds an MFA from Ohio University and has completed residencies in China, New Zealand, Hungary and the US. He is the Associate Director of Facilities and Operations at SculptureCenter and has worked for a number of NYC non-profits.2025, Sculpture, Porcelain, 1.5”h x 6”w x 4”l Limited Edition: 1-6 of 48, signed on versoThese dishes were created for the Trivial Pursuits Dinner Party: The Musical!Bio: Danny Crump is a visual artist working in sculpture, video and ceramics. He co-directs Springboard Collective, holds an MFA from Ohio University and has completed residencies in China, New Zealand, Hungary and the US. He is the Associate Director of Facilities and Operations at SculptureCenter and has worked for a number of NYC non-profit

Danny Crump: Trivial Pursuits Pie Plates 

Farrah Karapetian: Load, 2024,&nbsp;Cyanotype on cotton rag, 35 x 19 inches, Unique, signed and dated in ink verso &nbsp;Project focuses on personal narratives of cotton laborers, using cyanotype on cotton rag, supported by residencies and exhibition cycle.Bio:&nbsp;Farrah Karapetian is an artist, writer, and professor based in southern California. With artwork in the collections of the J. Paul Getty Museum, the Los Angeles County Museum, the San Francisco Museum of Modern Art, among others, and fellowships such as the Fulbright, the Pollock Krasner, the Warhol Writers Grant, and the Investing in Artists grant from the Center for Cultural Innovation, Karapetian works globally to unpack default constructs in photography and representation at large. She has exhibited as far afield as the Garage Center for Contemporary Art, Moscow, Russia; the Bienalsur in Cúcuta, Colombia; and the Border Art Biennial in El Paso, Texas, and Juarez, Mexico. Her artwork has been discussed in Artforum, Art in America, and textbooks such as Global Photography: A Critical History (Routledge, 2020.) Her writing has been published broadly, from The Brooklyn Rail to The Los Angeles Review of Books. She holds a BA from Yale University and an MFA from UCLA and is an associate professor at the University of San Diego, leading the photography area in the Department of Art, Architecture + Art History, and affiliate faculty in Africana Studies. In her writing and artwork, she dwells on materiality, public space, and the agency of people in situations seemingly beyond their control.2024, Photography, cyanotype on cotton rag, 35”h x 19”w Unique, signed and dated in ink verso &nbsp;Other info: Project focuses on personal narratives of cotton laborers, using cyanotype on cotton rag, supported by residencies and exhibition cycle.Bio: Farrah Karapetian is an artist, writer, and professor based in southern California. With artwork in the collections of the J. Paul Getty Museum, the Los Angeles County Museum, the San Francisco Museum of Modern Art, among others, and fellowships such as the Fulbright, the Pollock Krasner, the Warhol Writers Grant, and the Investing in Artists grant from the Center for Cultural Innovation, Karapetian works globally to unpack default constructs in photography and representation at large. She has exhibited as far afield as the Garage Center for Contemporary Art, Moscow, Russia; the Bienalsur in Cúcuta, Colombia; and the Border Art Biennial in El Paso, Texas, and Juarez, Mexico. Her artwork has been discussed in Artforum, Art in America, and textbooks such as Global Photography: A Critical History (Routledge, 2020.) Her writing has been published broadly, from The Brooklyn Rail to The Los Angeles Review of Books. She holds a BA from Yale University and an MFA from UCLA and is an associate professor at the University of San Diego, leading the photography area in the Department of Art, Architecture + Art History, and affiliate faculty in Africana Studies. In her writing and artwork, she dwells on materiality, public space, and the agency of people in situations seemingly beyond their control.

Farrah Karapetian: Load

Melissa Joseph: A Pair of Sisters, 2022, UV print on industrial felt, hand-finished with needle felted wool, 12 x 9 x .75 inches, Limited Edition of 8, Signed on versoLimited edition print with hand-embellished felting, printed by Exhibition A. Part of a small edition with needle-felted wool enhancements.Melissa Joseph is a New York based artist. Her work considers themes of memory, family history, and the politics of how we occupy spaces. She intentionally alludes to the labors of women as well as experiences as a second generation American and the unique juxtapositions of diasporic life. Her work has been shown at the Brooklyn Museum, Delaware Contemporary, Utah Museum of Contemporary Art, MOCA Arlington, ICA San Francisco, and List Gallery at Swarthmore College. She has been featured in Hyperallergic, Art Forum, Artnet, Artnews, New American Paintings, WNYC, Le Monde, Vogue, CNN, Whitewall, Family Style, and participated in residencies including Artpace, Dieu Donné Workspace Residency, The Textile Arts Center, BRIC, Fountainhead, the Archie Bray Foundation for Ceramic Arts, the Museum of Arts and Design, and at Greenwich House Pottery. She is the recipient of the 2025 UOVO Prize by the Brooklyn Museum, the 2025 Eden Art Foundation Artists Now Award, and a regular contributor to BOMB Magazine.

Melissa Joseph: A Pair of Sisters

Alex Nathanson: Solar Power Art Making Workshop, 2026.1.5 hour solar power art making workshop for up to 3 people.During the workshop, participants will learn the basics of solar power art making. Depending on what the buyer prefers, we can explore either solar powered sound art or solar powered drawing machines. The workshop will occur sometime in 2026 at the artist's studio, in Long Island City, Queens.Alex Nathanson is a designer, technologist, artist, and educator. His work is primarily focused on exploring both the experimental and practical applications of sustainable energy technologies. He is the founder and lead designer of the education and art platform Solar Power for Artists and its partner studio, Energy Transition Design LLC. The mission of both organizations is to make sustainable energy accessible, tactile, and understandable. As a solar power designer, he has created interactive and educational projects for the Climate Museum, Solar One, and the NYC Department of Education. In collaboration with Tega Brain and Benedetta Piantella, he co-created the Solar Protocol project. Solar Protocol has been awarded fellowships from Eyebeam and Mozilla, and been nominated for an Ars Electronica S+T+ARTS prize. His book A History of Solar Power Art and Design was published by Routledge in 2021. His next book, Solar Circuits will be published by Make in 2026.<a target="_blank" rel="noopener noreferrer nofollow" href="http://www.alexnathanson.com">www.alexnathanson.com</a>

Alex Nathanson: Solar Power Art Making Workshop

Amelia Marzec: Apothecary, 2020,&nbsp;Photograph, 9 x 9 x 1 inches, Unique, signed versoMedicinal plants collected on a cold war nuclear missile site across from the New York harbor.&nbsp;Amelia Marzec is a New York based artist engaging with communications infrastructure to inform a speculative future. Her work has been exhibited at SIGGRAPH, MIT, ISEA (Canada), University of the Arts Helsinki (Finland), ONCE Foundation Contemporary Art Biennial (Spain), NODE Forum for Digital Arts Biennial (Germany), and is part of the Rhizome ArtBase at the New Museum. She was a resident at Eyebeam, Ox-Bow, and Harvestworks; a fellow at NYSCA/NYFA, A.I.R. Gallery, and Columbia University; a visiting artist at CalArts; and nominated for the World Technology Awards for Art. She holds an MFA in Design and Technology from Parsons, and a BFA from Mason Gross School of the Arts.

Amelia Marzec: Apothecary

Amir Badawi: Sirius, 2021,Ink on Paper, 24 x 18 inches, Unique, Signed VersoThis work on paper is produced using special masking techniques developed by the artist to produce unique, ghostly marks. Titled “Sirius”, the artwork references the brightest star in the northern skies sometimes known as the Dog Star. It’s associated with canines in various cultures around the world and has been used by many for navigation.&nbsp;“Sirius” was shown in Absence of Evidence 2024 Ny, NyBio: Amir Badawi is a visual artist that lives and works in New York City. He earned his BFA from the University of Houston in 2013. Badawi and his partner Asya Yaschenko run 334Broome, a studio and exhibition space located in the Bowery. His practice consists of ink and watercolor works on paper as well as textile sculpture. Through these media Badawi makes images using representations of nature, mythology, religion, science, and philosophy to evoke a dilated perspective of our existential position, prompting viewers to face the unknown with gratitude and humility. Badawi asserts that we should be united by an honest appraisal of our ignorance rather than divided by our beliefs.

Amir Badawi: Sirius

Angela Washko: Heroines with Baggage:&nbsp;Sacrifice for the Boys, 2022Cyanotype and drawing on watercolor paper, 24 x 16 inches (framed: 30 x 20 inches), Unique, signed verso"Heroines with Baggage" is a series of videos and prints that Angela Washko initially created in 2011. Through the project, Washko replayed the 1990s role-playing video games which were formative to her as a child. Upon replaying these games, it became clear to the artist that the women represented were frequently portrayed as collapsing, running scared, afraid of being alone, and always in need of rescue by a male protagonist. By constructing videos and print installations featuring only scenes focused on female characters from these games, Washko makes the presence of these stereotypes and oversimplified gender binaries visible and woefully obvious.This 2022 installation version of the project at Northeastern University's "At Play" exhibition featured a new wallpaper piece, three 16 x 20" cyanotype prints, and a video work. This is one of the three cyanotype prints entitled "Heroines with Baggage:&nbsp;Sacrifice for the Boys"Bio:Angela Washko is an artist, filmmaker, and experimental game developer who creates new forums for discussions about feminism in spaces frequently hostile towards it. Her practice spans interventions in virtual environments, performance art, media installation, documentary film, video games, and tabletop roleplaying experiences. A recipient of the United States Artists Fellowship, Creative Capital Award, National Endowment for the Arts award, Franklin Furnace Performance Fund, and the Impact Award at Indiecade, Washko's practice has been highlighted in The New Yorker, Frieze Magazine, Time Magazine, The Guardian, ArtForum, The Los Angeles Times, Art in America, The New York Times and more. Her projects have been presented internationally at venues including Museum of the Moving Image in New York, Centre Pompidou-Metz, Los Angeles Museum of Contemporary Art, the Milan Design Triennale, the Shenzhen Animation Biennial, and the Korean Film Archive. Angela Washko is the Catherine B. Heller Professor of Art and the MFA Program Director at University of Michigan.

Angela Washko: Heroines with Baggage: Don't Forget Me

Bahareh Khoshooee: Chocolate Turns Me On (Hysteria), 2019,Inkjet on paper, 8.5 x 11 inches, Third Edition of 3 (+ 2 AP), signed versoChocolate Turns Me On (Hysteria) reflects on the long history of policing women's desires, pleasures, and expressions, where femininity itself has often been pathologized. Referencing the legacy of “hysteria” as a diagnosis used to silence and control women, the work embraces provocation and excess as forms of resistance. At once intimate and declarative, this print reclaims agency through humor, sensuality, and unapologetic visibility.Bio:Bahareh Khoshooee is a multidisciplinary artist, feminist activist, educator, and the co-founder of two collectives –Blockbusters (an international group of New Media artists), and [Redacted] (a network of feminist artists, activists, and technologists). Born in Tehran, Iran, Khoshooee uses time-based strategies in presenting work that fuses 3D environments, video projection mapping, sculpture, performance, and sound. Her practice explores the complex dualities of technology: its oppressive role in surveilling, documenting, and criminalizing BIPOC bodies, and its radical potential for futurity and alternative solidarities. Her work unearths how technology mediates the intimate and collective experiences of grief, violence, and memory, reclaiming these spaces as arenas for liberation, and reimagined futures.Khoshooee is the recipient of Eyebeam’s Democracy Machine Fellowship and a Skowhegan alumna. She has presented her solo installations at the Dorothy Center for The Arts, Baxter St CCNY, The Elizabeth Foundation for The Arts,The Orlando Museum of Art,and NADA MIAMI 2018 among others. Khoshooee has been included in various group exhibitions including the Honor Fraser Gallery, Latinx Project, Southern Exposure, Museum of Photography Stockholm, and the Museum of Fine Arts St. Petersburg. Her work has been featured in The Huffington Post, The Guardian, Artnet News, The Metro, and The Creators Project.<a target="_blank" rel="noopener noreferrer nofollow" href="http://www.baharehkhoshooee.com">www.baharehkhoshooee.com</a>

Bahareh Khoshooee: Chocolate Turns Me On (Hysteria)

Ben Galaday: MILK BONE, 2021,&nbsp;fabric, foam, batting, plywood, 9 x 7 x 1.5 inches, unique, signed on versoA vestigial remnant of time spent, time put in, a job well done. A passenger seated and strapped in with no choice but to serve, now a medal of honor retired to the realm of signifiers, soft and worn.Bio: Living in a dog-lick-frog world, Ben Galaday handcrafts bespoke Twiddle Muffs and other therapeutic objects in the Dreamcore aesthetic for adults living with undiagnosed dementia in NYC.<a target="_blank" rel="noopener noreferrer nofollow" href="http://bengaladay.com">bengaladay.com</a>

Ben Galaday: MILK BONE

Cameron Granger: Texture Map #1 - "I lend you my sword", 2025,Silkscreen on paper, 11 x 8.5 inches, AP 1, signed versoBio: Cameron A. Granger is Sandra’s son &amp; came up in the Euclid, Ohio.He likes pigeons, video games, &amp; memes. Lately he's been thinking about how myth making and narrative have been used as a means to police the imagination, and making movies with his friends. He’s a lifetime member of MINT Collective, long may it live, and an alumni of Euclid Public Schools and the Studio Museum in Harlem AIR program.

Cameron Granger: Texture Map #1 - "I lend you my sword"

Cameron Granger: Texture Map #3 - "...&amp; I lend you my body", 2025,Silkscreen on paper, 11 x 8.5 inches, AP 1, signed versoBio: Cameron A. Granger is Sandra’s son &amp; came up in the Euclid, Ohio.He likes pigeons, video games, &amp; memes. Lately he's been thinking about how myth making and narrative have been used as a means to police the imagination, and making movies with his friends. He’s a lifetime member of MINT Collective, long may it live, and an alumni of Euclid Public Schools and the Studio Museum in Harlem AIR program.

Cameron Granger: Texture Map #3 - "...& I lend you my body"

Candace Jensen: Catalog of Ligatures, 2023,&nbsp;Letterpress from Hand-Set Woodtype on Somerset paper, 15&nbsp; x&nbsp; 22.5 inches (Framed: 16.25 x 23.75) ,Edition Variee: 15 of 16, Signed&nbsp;Candace Jensen is a collapse-aware utopian committed to culture informed by deep ecology. Her work is grounded in explorations of language and story, animism, deep ecology, and building creative community. Her creative media include calligraphy &amp; manuscript illumination, poetry &amp; essay, printmaking, painting, and curating. She is cofounder and Creative Director of In Situ Polyculture Commons, an arts residency and eco-cultural catalyst on unceded Abenaki land, in Vermont.Jensen earned her BFA at Tyler School of Art, and her MFA at the Pennsylvania Academy of the Fine Arts, both in Philadelphia, PA. She has exhibited in NYC &amp; Brooklyn, San Francisco, Oakland, Antwerp, Belgium, Southern Vermont and Hillsborough, NC. Reviews and interviews have appeared in White Hot Magazine, Art New England, the Adroit Journal, Ante Mag and Studio Visit Magazine. Her art and writing have been published by the Dark Mountain Project, the Index Press Quarterly, Eratio Postmodern, and collections published by ecoartspace, and a forthcoming Cambridge Writers’ Workshop publication, Disobedient Futures, via the University Press of Kentucky. A special issue of Regeneration Journal, On the Cold Edge: Creative Meditations on Svalbard, is imminently forthcoming. Co-edited by Jensen and two incredible colleagues, it is set to be published by the Open Library of the Humanities online in 2025. Jensen’s curatorial projects have focused primarily on ecological and social justice frameworks, and been exhibited in Brooklyn, Philadelphia and now Southern Vermont. She also serves as Art Editor for Ruth Stone House’s independent poetry journal, Iterant Magazine.<a target="_blank" rel="noopener noreferrer nofollow" href="http://www.candacejensen.com">www.candacejensen.com</a> / <a target="_blank" rel="noopener noreferrer nofollow" href="http://www.insitupolyculture.org">www.insitupolyculture.org</a> / <a target="_blank" rel="noopener noreferrer nofollow" href="http://iterant.org">iterant.org</a>

Candace Jensen: Catalog of Ligatures

Catalina Alvarez, Vagaries, 2025,Signed Book: Risograph print on paper,&nbsp;from edition of 150 published July 2025)The risograph-printed limited edition book is bilingual (English /Portuguese) and has a Spanish-language insert. It is a collection of "screen plays" which feature parenthood and the artistic process prominently in its narratives.The Portuguese half of the book is a "re-writing" of my stories by Fluxer Catarina Real (<a target="_blank" rel="noopener noreferrer nofollow" href="https://catarinareal.xyz/">https://catarinareal.xyz/</a>)A limited number of additional copies are available for purchase by contacting info@fluxfactory.orgBio:Catalina makes choreographed films and experimental musicals.Her feature film, SOUND SPRING, premiered Unorthodocs and CIFF and is distributed in North America by Grasshopper Film. Her book, Vagaries, was published by Edições da Ruína (Lisbon) in a bilingual edition. She's currently an Associate Professor and head of Art &amp; Engagement at Fordham University and lives in Queens, NY with her husband and son.<a target="_blank" rel="noopener noreferrer nofollow" href="https://www.catalinaalvarez.com/">https://www.catalinaalvarez.com/</a>

Catalina Alvarez, Vagaries

Cayla Lockwood, Luxury Magazine, 2024Magazine, 10.5 x 8 inches, Open EditionCayla Lockwood is an artist and graphic designer based in the Hudson Valley, NY. She has an MFA in Printmaking from Syracuse University. Her practice includes collage, bookmaking, and video. From 2017–2021 she was an artist in residence at Flux Factory in New York City, where she worked on a number of collaborative projects in NYC, Denmark, Finland and Ukraine.&nbsp;

Cayla Lockwood, Luxury Magazine

Dana Sherwood: Inside the Belly of the Horse, 2020,&nbsp;silkscreen on paper, 15 x 18 inches, limited edition: 21 of 22,&nbsp; signed on frontThis silkscreen is part of a larger series of work begun in 2019 which depicts various nude reclining women inside the bellies of different animals surrounded by confectionaries, cakes and sweets.Bio: Dana Sherwood is an American artist whose diverse practice explores the relationship between humans and the natural world in order to understand culture and behavior in a changing environment. Employing video, painting and sculpture in her work, nature, often in the form of non-human animals, plays a complex role as both subject and collaborator, asserting its presence and subverting the artists’ perceived control. Sherwood relies upon her own style of magical-realism to portray contact between human and non-human animals as a tool to expand our concept of communication and knowledge, and more importantly to recognize the interconnectedness of our ecosystem. What we can learn from plants and animals when we shift our perception to be more inclusive and open to other intelligences. Her paintings, videos, and sculptures depict ritualized feedings created for animals who live on the frontiers of human civilization such as raccoons, possums, and foxes as well as for our close companion species like horses and dogs. The animals assert their presence and desires as the work reflects on the Anthropocene, and our place in the natural world. Set in a magical, wonderland-esque universe, the work weaves together visually beautiful and occasionally humorous imagery while conveying important messages related to ecology, mythology and eco-feminism.Sherwood's projects investigate alternate ways of communicating with the more than human world around us, with the goal of re-connecting with and learning from the intelligence of the earth. Her paintings, videos and sculptures, are informed by intuitive, magical and ancestral practices in order to create conversation and connection with the wider, more than human world.Since graduating from the University of Maine in 2004 Sherwood has exhibited throughout The Americas, Europe and Australia including solo exhibitions at Nagle-Draxler Reiseburogalerie (Cologne), Denny Gallery (New York) and Kepler Art-Conseil (Paris). Her work has also been shown at Storm King (New York), James Cohan Gallery, The Jack Shainman School, The Fellbach Sculpture Triennial (Germany), Pink Summer Gallery (Italy), Kunsthal Aarhus, The Palais des Beaux Arts Paris, Marian Boesky Gallery, Socrates Sculpture Park, Flux Factory, The Biennial of Western New York, Prospect 2: New Orleans, Scotia Bank Nuit Blanche (Toronto), dOCUMENTA 13, and many other venues worldwide. Her solo exhibition, "Dana Sherwood: Animal Appetites and Other Encounters in Wildness" opened at the Florence Griswold Museum in 2022 with accompanying monograph. In 2025 a new body of work was presented in a solo exhibition, “Garden of the Sphinx” at Geary Contemporary in NY as well as two prominent group exhibitions, one at James Cohan Gallery and The Campus Upstate.She is currently working on a new body of work to be presented in 2026 at The Fondazione Morra Greco in Naples, Italy .<a target="_blank" rel="noopener noreferrer nofollow" href="https://danasherwoodstudio.com/">https://danasherwoodstudio.com/</a>

Dana Sherwood: Inside the Belly of the Horse

Douglas Paulson: Dinner Sonata: Sonic Supper With Eaters Choir LP, 2024,Vinyl record, 12.375 x 12.375 x .125 inches, Limited edition 1 of 3, signed versoVinyl record with a recording of a Sonata recorded at the Flux Factory dinner table during a potluck.Bio: Douglas Paulson is an artist and educator who has been developing an expansive, socially engaged and collaborative practice for over 15 years. This work takes many forms: from sprawling social projects in public space, to intimate drawings, and sonic experiments.Collaboration is at the heart of this practice.&nbsp; Doug’s work has manifested across NYC and abroad, bringing together people from disparate backgrounds into conversation with each other, and intentionally confusing boundaries between artist and participant.&nbsp;Doug has had many roles at Flux Factory since 2005, most notably he was the Residency Director from 2009 - 2014.

Douglas Paulson: Dinner Sonata: Sonic Supper With Eaters Choir LP

Eboni Olivia Louigarde: The Silent Viewer, 2025,Cotton and Abaca Fiber embossed paper, 5 x 4 inches, UniqueEboni Louigarde (they/she) is a 20 year old Haitian-Jamaican multidisciplinary artist Brooklyn born North Carolina raised. They currently reside in Brooklyn, New York and attend the Cooper Union for fine art. Working across sculpture, performance, and writing she examines the relationship between labor, the body, and the performativity of objecthood.

Flux Factory

Flux Factory 2025 Art Auction

hi@basta.app