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W. Lancelot HollandWalled Up Nuns &amp; Nuns Walled InEdinburgh and London: The Author, Hunter, Kensit, Thynne, and Wileman, 1895. 8vo. Publisher's wraps with engraved illustrations after Abbott, lettered in red. Frontispiece and 19 engraved illustrations after Abbott, one double-page photomechanical illustration. Housed in a gilt-lettered quarter morocco clamshell box with red morocco lettering-pieces. A very nice, bright copy; wraps with slight losses at spine, stray spots.This work engages with a contemporary scholarly as to whether nuns were walled-in alive as a form of torture during the Spanish Inquisition. There had been reports of such activities in newspapers and books, while the church and authorities maintained denial that the practice ever took place. Holland uses these existing arguments in this book, compiling and reprinting passages to add to his position that nuns were, indeed, walled in or immured. Through investigative journalism and historical research, Holland’s argument of these nuns’ grim fate proves to be an intriguing read; weighing historical accounts, myths, and poetry. With 21 illustrations of the torture and resulting remains, this book is an overlooked and strange historical document detailing a particularly dark chapter in the history of religion.Condition as described in catalogue note. For further information on the condition of this lot please email <a target="_blank" rel="noopener noreferrer nofollow" href="mailto:info@boo-hooray.com">info@boo-hooray.com</a>. All lots are sold on an "as is" basis at the time of sale. Images form a part of the condition description for each lot, though images online may represent hues and shades which differ from the actual item.

W. Lancelot Holland — Walled Up Nuns & Nuns Walled In

Everything with and without a spine.

Judith Malina, Julian Beck, et alLife Chants &amp; Songs of RevolutionNew York: Life Chants, 1966. Mimeograph. Side-stapled. 11 x 8 1/2 in. [20] pp. Holes from stapling, and light wear on edges and corners.1960s underground poetry publication featuring poems by Judith Malina, Julian Beck, and others.Very scarce. OCLC locates four holdings as of August 2025.Condition as described in catalogue note. For further information on the condition of this lot please email <a target="_blank" rel="noopener noreferrer nofollow" href="mailto:info@boo-hooray.com">info@boo-hooray.com</a>. All lots are sold on an "as is" basis at the time of sale. Images form a part of the condition description for each lot, though images online may represent hues and shades which differ from the actual item.

Judith Malina, Julian Beck, et al — Life Chants & Songs of Revolution

Tarek [Ali Hassan]The Prison: An Expression for the TheaterLondon: [Tarek Ali Hassan], [ca. 1969]. Mimeograph. Originally side-stapled and tape bound (lacking tape binding). 10 x 8 in. [124] pp. Staples almost entirely detached with text-block split.Artists' book produced by Tarek Ali Hassan, featuring his experimental play "The Prison: An Expression for the Theater," preceded by a sequence of richly colored abstract illustrations.The play is a highly poetic "closet drama" — a play highly unlikely to be produced due to the unreality or impossibility of its contents. The script, however, asks for production techniques similar to those developed by Antonin Artaud in the Theater of Cruelty: it is, in short, an examination of the human body as seen from the perspective of contemporary capitalist society, seen, in effect, as a prison.Tarek Ali Hassan was a rare example of an artist-scientist: an Egyptian endocrinologist who was a professor of medicine and chief of endocrinology at Al-Azhar University in Cairo, as well as a composer, musician, writer, painter, playwright and philosopher. He was knighted by the Ordre des Arts et des Lettres, the French government's official recognition for artistic achievement. This book marks Hassan's early period, immersed in late 1960s London counterculture; in his later years, he would split his time between Egypt and London.Condition as described in catalogue note. For further information on the condition of this lot please email <a target="_blank" rel="noopener noreferrer nofollow" href="mailto:info@boo-hooray.com">info@boo-hooray.com</a>. All lots are sold on an "as is" basis at the time of sale. Images form a part of the condition description for each lot, though images online may represent hues and shades which differ from the actual item.

Tarek [Ali Hassan] — The Prison: An Expression for the Theatre

Tarek [Ali] HassanThe Rape of ManLondon: [Tarek Ali Hassan], 1969. Mimeograph. Tape bound and side-stapled in wraps. 10 x 8 in. [128] pp. Typed letter signed loosely inserted. Wraps lightly bumped, stray spot to rear cover.Artists' book produced by Tarek Ali Hassan, comprising his book-length poem "The Rape of Man," composed of verse, concrete poetry, and abstract illustrations, printed in both red and green ink. The book includes a signed letter from the author introducing this work of despair as a work of love. It is also a mimeograph production of shocking precision and artistry.Tarek Ali Hassan was a rare example of an artist-scientist: an Egyptian endocrinologist who was a professor of medicine and chief of endocrinology at Al-Azhar University in Cairo, as well as a composer, musician, writer, painter, playwright and philosopher. He was knighted by the Ordre des Arts et des Lettres, the French government's official recognition for artistic achievement. This book marks Hassan's early period, immersed in late 1960s London counterculture; in his later years, he would split his time between Egypt and London."But was born again an apple eater."Rare. OCLC locates no copies as of October 2025.Condition as described in catalogue note. For further information on the condition of this lot please email <a target="_blank" rel="noopener noreferrer nofollow" href="mailto:info@boo-hooray.com">info@boo-hooray.com</a>. All lots are sold on an "as is" basis at the time of sale. Images form a part of the condition description for each lot, though images online may represent hues and shades which differ from the actual item.

Tarek [Ali] Hassan — The Rape of Man [with signed letter]

Introduction by John Cage; edited by David VaughanMerce Cunningham &amp; Dance Company&nbsp;New York: The Foundation for Contemporary Performance Arts, 1963. Offset. Saddle-stapled. [32] pp. 6 1/8 x 6 1/4 in.&nbsp;A clean copy, wraps lightly bumpedInformational book on the Merce Cunningham &amp; Dance Company, with an introductory essay by John Cage, featuring images and descriptions of Cunningham's dances from 1953 to 1963, including the early masterwork Summerspace, designed by Robert Rauschenberg. The vollume provides bios of the Cunningham company at the time.&nbsp;A great contemporary record of an emergent avant-garde in Dance.&nbsp;Rare in institutional holdings and the trade. OCLC locates three holdings as of August 2025.Condition as described in catalogue note. For further information on the condition of this lot please email <a target="_blank" rel="noopener noreferrer nofollow" href="mailto:info@boo-hooray.com">info@boo-hooray.com</a>. All lots are sold on an "as is" basis at the time of sale. Images form a part of the condition description for each lot, though images online may represent hues and shades which differ from the actual item.

John Cage — Merce Cunningham & Dance Company

Simon ArrowCount Fanny’s Nuptials: Being the Story of a CourtshipLondon: G.G. Hope Johnstone, [1907]. First edition. 4to. Publisher's black cloth, spine gilt-lettered, edges uncut. Half-title, 7 plates with illustrations in the style of Aubrey Beardsley. [6], 68, [1] pp. 10 x 7 1/2 in. Upper hinge cracked but holding, a bit rubbed, upper board lower corner bumped, leaves with minor toning and smudging.Typically attributed to English eccentric Ronald Firbank, this decadent romance is adorned with seven plates of Beardsley-like drawings, accompanying prose filled with shadows, twilight, and aristocratic decadence. The plates are sometimes attributed to Alastair (a pseudonym of Hans Henning Voight).Condition as described in catalogue note. For further information on the condition of this lot please email <a target="_blank" rel="noopener noreferrer nofollow" href="mailto:info@boo-hooray.com">info@boo-hooray.com</a>. All lots are sold on an "as is" basis at the time of sale. Images form a part of the condition description for each lot, though images online may represent hues and shades which differ from the actual item.

Simon Arrow — Count Fanny’s Nuptials: Being the Story of a Courtship

Teofilo FolengoOpus Merlini Cocaii poetae Mantuani MacaronicorumVenice: Horatium de Gobbis, 1581. 12mo. Type in Roman and italic, 35 lines plus headline. Contemporary limp vellum, covers ruled blind, contemporary manuscript supralibros “A.G.,” contemporary manuscript title on spine, 4 leather bands piercing covers at spine. A-Z12 (Z12 a blank, Q6 signed Q9, X3 signed H3): 276 leaves. 5 1/2 x 3 in. Title-page with woodcut device, 26 woodcuts, decorated initials, printer’s ornaments, side-notes. Binding slightly shrunken, tailband broken but binding intact, minor stray soiling.First published in 1521, this work is an important example of macaronic verse, a satirical and synthetic mixture of languages, using hybrid words and a pastiche of Latin and vernacular Italian. The author, Teofilo Folengo, a Benedictine monk, was the best representative of the genre. His masterpiece Baldus, collected here, is a poem in macaronic hexameters, and was published under the pseudonym Merlin Cocai. In addition to Baldus, the work includes the parodic Zanitonella love poetry and the fable Moschaea, about a battle between flying ants. Satirical throughout, the work bordered on sacrilege when it addressed the topic of the clergy.The experience from Folengo’s traveling life makes his poems one of the most important source books on contemporary life and customs. His work, and macaronic poetry more broadly, enjoyed great popularity in the 16th and 17th centuries in Italy and beyond. Indeed it appealed to Rabelais, who found in it the prototype for his Panurge and Gargantua.Provenance: In addition to the supralibros, an ownership inkstamp “GLP” is present on the title-page. Edit16 19379; USTC 830155Condition as described in catalogue note. For further information on the condition of this lot please email <a target="_blank" rel="noopener noreferrer nofollow" href="mailto:info@boo-hooray.com">info@boo-hooray.com</a>. All lots are sold on an "as is" basis at the time of sale. Images form a part of the condition description for each lot, though images online may represent hues and shades which differ from the actual item.

Teofilo Folengo — Opus Merlini Cocaii poetae Mantuani Macaronicorum

John OldhamCharacter of a Certain Ugly Old P—— [from L. Meriton, Pecuniae obediunt Omnia ...][S.l.: Printed, and sold by the booksellers of London and Westminster, 1698]. Excised saddle-stitched signatures (in 8s). 20 pp, (paginated [110-111], 112-130 pp). 7 ½ x 4 ¾ in. Contemporary manuscript doodle to final leaf verso. First two leaves loose, marginal chips, old bookseller's annotations to title-page, minor foxing.Despite the year on the title (in fact a section-title), this work was first published in 1696 as part of Pecuniae obediunt Omnia. Money Masters All, attributed by Wing to L. Meriton — likely Luke Meriton, son of George. The present copy is from the second edition of 1698. Meriton's volume was a group of satirical poems "shewing the power and influence of money over all arts," as well as the present work.John Oldham was a poet and satirist, whose work — though little-remembered today — was admired in his time, including by Charles Sedley, the Earl of Rochester, the Earl of Dorset, and most significantly John Dryden, who composed an elegy upon his death. His poems imitated the classical Satires of Juvenal, and his translation of Juvenal saw publication after his death. This scathing prose satire presents a priest so grotesque that he sleeps with his ears tied around the top of his head like a nightcap.The grandson of a famous anti-papist, and son of a Protestant preacher, Oldham turned his wit against many of his contemporaries — perhaps most avowedly against the Jesuit community. He died at the age of 30 from smallpox. An old bookseller's annotation on the title-page misidentifies this as being excised from the 1684 The Works of John Oldham, Together with his Remains, published after his death.Wing M1821B, ESTC R202913Condition as described in catalogue note. For further information on the condition of this lot please email <a target="_blank" rel="noopener noreferrer nofollow" href="mailto:info@boo-hooray.com">info@boo-hooray.com</a>. All lots are sold on an "as is" basis at the time of sale. Images form a part of the condition description for each lot, though images online may represent hues and shades which differ from the actual item.

John Oldham — Character of a Certain Ugly Old P——

Margaret KeaneKEANE: Walter Keane &amp; MDH Margaret KeaneRedwood City, California: Johnson Meyer Publishing Company, 1964. First edition. Perfect bound in cloth boards with pictorial dustjacket, additional glassine jackets, tissue guards. Unpaginated. 12 7/8 x 10 in. Lacking original slipcase, but otherwise an excellent pair.&nbsp;Two volume set documenting Margaret Keane’s iconic “big-eye” portraits, which at the time were unfairly attributed to her husband, Walter Keane.Condition as described in catalogue note. For further information on the condition of this lot please email <a target="_blank" rel="noopener noreferrer nofollow" href="mailto:info@boo-hooray.com">info@boo-hooray.com</a>. All lots are sold on an "as is" basis at the time of sale. Images form a part of the condition description for each lot, though images online may represent hues and shades which differ from the actual item.

W. Lancelot Holland — Walled Up Nuns & Nuns Walled In

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