Relix

The Grateful Dead did not simply perform concerts. They built a world, night after night, in which electricity, improvisation, and the collective will of thousands of listeners converged into something that resisted every attempt to contain or define it. No recording could fully capture it. No photograph could hold it. And so the band's crew — engineers and roadies and sonic architects working under names like Owsley Bear, Ram Rod, Kidd Candelario, and Sparky Raizene — built systems of ever-increasing ambition in pursuit of a simple, impossible goal: to make the sound as large as the experience. The Wall of Sound, deployed across the Dead's historic 1974 touring season, was the apotheosis of that pursuit: a 641-speaker, 26,400-watt apparatus so colossal it required its own trucks, its own structural engineering, and a full day of assembly before a single note was played. It remains the most ambitious live sound installation in the history of popular music.This auction, the fifty-second presented by ANALOGr in partnership with Relix, gathers that hardware — and much more — into a single historic sale. McIntosh MC 2300 amplifiers that carried Garcia's signal through the Wall's towering arrays sit alongside the 1967 Fender Twin Reverb he played at Newport Pop Festival '68, later passed to John Cipollina of Quicksilver Messenger Service. Phil Lesh's original Dual Showman bass head is here, still bearing fragments of Courtney Pollock's tie-dye. So are the Hard Truckers cabinets marked "CHEOPS" — believed to be the monitors the Dead brought to the base of the Great Pyramid in 1978 — and the original Wall of Sound diagram poster, hand-signed by the crew who built it. Beyond the gear, the sale encompasses psychedelic posters, signed memorabilia, original tickets and backstage passes, and an ultra-rare 1965 Scorpio Records 7" single that predates the Dead's mythology entirely. Each lot carries direct, documented provenance traced to the band's inner circle, their personal estates, and their storage lockers. For those who believe that history lives in objects, this is where to look.

Due to the size and nature of this item, shipping requires custom freight/cartage. ANALOGr will contact you following the auction to arrange shipping logistics and coordinate a custom solution.Few amplifiers in rock history can claim such a storied dual provenance as this 1967 Fender Twin Reverb. Originally owned and played by Jerry Garcia, it served as his primary amplifier during the Grateful Dead's landmark performance at the 1968 Newport Pop Festival—one of the earliest large-scale music gatherings in the United States and a direct precursor to Woodstock. The amp bears unmistakable evidence of its origins: "Grateful Dead" is stenciled on the side, and the marking "J1"—designating Jerry's #1 amp—confirms its front-of-stage role in his rig. After Garcia, the amp passed to John Cipollina of Quicksilver Messenger Service, who added "Quicksilver" to the cabinet and incorporated it into his own touring setup, elements of which are now enshrined at the Rock &amp; Roll Hall of Fame. Most recently serviced by Danny Ghinn (of Dumble Amplifier fame) on November 11, 2025, this amp is in documented, playable condition. A singular artifact of the San Francisco psychedelic era.

Jerry Garcia & John Cipollina Owned 1967 Fender Twin Reverb

Due to the size and nature of this item, shipping requires custom freight/cartage. ANALOGr will contact you following the auction to arrange shipping logistics and coordinate a custom solution.A monument to the Wall of Sound era, this 1971 McIntosh MC 2300 amplifier (serial #1Y542) is presented in its original vintage case—a case that served a very specific and legendary function on the Grateful Dead's stage: it was the step Bill Kreutzmann used to climb up to his elevated drum riser. Together, the amp and its purpose-built road case represent the engineering ingenuity and sheer physical scale of the Dead's groundbreaking live sound system. Coveted by audiophiles for its sonic fidelity and by collectors for its historical significance, the MC 2300 remains one of the most respected power amplifiers ever produced. This example has passed through Grateful Dead hands and retains its original character.

Grateful Dead Black McIntosh MC 2300 UltraSound Amp & Kreutzmann Step-Case

Due to the size and nature of this item, shipping requires custom freight/cartage. ANALOGr will contact you following the auction to arrange shipping logistics and coordinate a custom solution.Few pieces of Wall of Sound–era hardware carry provenance as direct and personal as this open-back JBL guitar speaker cabinet. Jerry Garcia gifted it to Monroe Grisman at The Club Front in San Rafael, CA — accompanied by a provenance letter from Grisman confirming that exchange. Configured with the signature flush-mount banana jacks characteristic of Garcia's Wall of Sound guitar rig, the 4-ohm cabinet reflects the custom, instrument-specific approach to amplification that defined the Dead's live sound in the early 1970s. Distinctive cigarette burns to the top surface and wear consistent with extended live and studio use speak to a working life at the center of one of rock's most ambitious sonic experiments. Circa early 1970s–mid-1980s. A tangible remnant of the Wall of Sound, with an unimpeachable chain of custody.

Jerry Garcia Owned Wall Of Sound Cabinet Gifted By Jerry Garcia to Monroe Grisman at The Club Front

Due to the size and nature of this item, shipping requires custom freight/cartage. ANALOGr will contact you following the auction to arrange shipping logistics and coordinate a custom solution.This 1970s McIntosh MC 2300 power amplifier (serial #1Y423) was used by Jerry Garcia as part of the Grateful Dead's legendary Wall of Sound—the most ambitious live sound system ever assembled. The Dead modified the unit themselves, adding banana plug jacks to the rear output terminals for their custom speaker arrays. A Steal Your Face sticker graces the rear panel, and the channel labels are hand-written: "Jerry" over the Left channel output and "Mickey" over the Right, indicating that even after the Wall of Sound was dismantled in 1974, this amp continued to carry Garcia and Hart's signals in the band's ongoing live operation. Obtained directly from the Grateful Dead storage locker of Bill "Kidd" Candelario—one of the Dead's most trusted road crew veterans—its provenance is as solid as its build.Dimensions: 10.5 x 19 x 17 inches.

Grateful Dead Jerry Garcia-Used Wall of Sound McIntosh MC 2300 Power Amplifier

Due to the size and nature of this item, shipping requires custom freight/cartage. ANALOGr will contact you following the auction to arrange shipping logistics and coordinate a custom solution.One of Phil Lesh's primary bass amplifier heads from his most formative years with the Grateful Dead, this Fender Dual Showman head (serial #A 02876) bears the designation "#5" on its cabinet top—a road-crew numbering system used to track equipment across tours. Modified extensively by the Grateful Dead and Alembic crew, the unit features two 1/4" direct preamp output jacks and a pair of banana plug jacks installed on the rear, routing Lesh's signal out to the bank of McIntosh MC 2300/3500 amplifiers that formed the Wall of Sound. Authentic fragments of tie-dye cloth by artist Courtney Pollock—which once draped the front of the cabinet in the early 1970s—remain visible in the corners, a delicate reminder of the era's visual exuberance. A rare opportunity to own a piece of Phil Lesh's original stage rig. As Deadheads say: Lesh is More!Dimensions: 24 x 9.5 x 8 inches.

Phil Lesh's 1960s–1970s Grateful Dead Fender Showman Bass Amplifier Head #5

Due to the size and nature of this item, shipping requires custom freight/cartage. ANALOGr will contact you following the auction to arrange shipping logistics and coordinate a custom solution.Reclaimed directly from the storied Winterland Arena in San Francisco, these original wooden bench chairs are genuine artifacts of one of rock and roll's most hallowed venues. Constructed from heavy Northern California redwood with flip-up seats, the chairs date to Winterland's opening on June 29, 1928, making them nearly a century old. Tom Stack personally removed these benches from the building on September 24, 1985, as Winterland was being deconstructed prior to its eventual demolition. The chairs were situated in the four rows of seats just off the main floor—prime territory for many legendary shows, including the Grateful Dead's final Winterland performance on New Year's Eve, December 31, 1978. This lot includes a San Francisco Chronicle column by the legendary Herb Caen, multiple Winterland feature articles, and a zip drive containing 45 archival photographs.

Winterland Ballroom Bench Sets

Due to the size and nature of this item, shipping requires custom freight/cartage. ANALOGr will contact you following the auction to arrange shipping logistics and coordinate a custom solution.This extraordinary pair of Hard Truckers stage monitors combines two significant chapters of Grateful Dead history in a single lot. The cabinets house 10" JBL speakers alongside EV tweeter horns pulled directly from the center cluster of the 1974 Wall of Sound. Grateful Dead roadie "Sparky" built the custom Hard Truckers enclosures and integrated crossovers specifically for these salvaged Wall of Sound components, as confirmed by legendary sound engineer Dan Healy. Most remarkably, one cabinet bears the word "CHEOPS" scratched into its wood—widely believed to indicate these were the very speakers the Dead brought to Egypt in September 1978, attempting to use the burial chamber of the Great Pyramid of Cheops as a natural echo chamber during their historic Pyramids concerts. Obtained from Merry Prankster Ken Babbs' Oregon farm via his son Simon Babbs. Includes an original 8x10 photograph of Phil Lesh with his Big Brown bass and Keith Godchaux on stage with these cabinets from a 1978 Grateful Dead show.Dimensions: 13 x 16 x 22 inches each.

Pair of 1970s Grateful Dead / Hard Truckers Custom Stage Speakers with 1974 Wall of Sound EV Horn — Egypt 'CHEOPS' Marked + Photograph

Due to the size and nature of this item, shipping requires custom freight/cartage. ANALOGr will contact you following the auction to arrange shipping logistics and coordinate a custom solution.A quiet but deeply evocative relic from the Grateful Dead's touring operation, this mid-1970s cymbal case comes directly from the estate of Lawrence "Ram Rod" Shurtliff—the Dead's head roadie and one of the most beloved figures in the band's extended family. Ram Rod joined the Grateful Dead organization in the late 1960s and remained a central presence for decades, his dedication earning him near-mythological status among Deadheads and crew alike. This road-worn case—numbered #75 and measuring 25 x 25 x 6 inches—would have traveled with the band across countless tours, carrying the percussion hardware that defined the Dead's rhythm section. For collectors of Grateful Dead road crew memorabilia, items from Ram Rod's personal estate are exceptionally rare.

Grateful Dead Empty Cymbal Case #75 — From the Estate of 'Ram Rod' Shurtliff

Due to the size and nature of this item, shipping requires custom freight/cartage. ANALOGr will contact you following the auction to arrange shipping logistics and coordinate a custom solution.A matched pair of late-1970s Hard Truckers bass cabinets, purpose-built for the Grateful Dead's touring sound system. Each cabinet houses a 15" JBL speaker—the workhorse transducer preferred by the Dead's audio crew for its power handling and low-frequency response. Constructed from lighter-color Baltic birch—a material chosen for its acoustic properties and durability on the road—these cabinets feature banana plug inputs on the rear, consistent with the Grateful Dead's custom signal routing system. Part of the same extended family of Hard Truckers-built equipment that powered the Dead's live sound throughout the 1970s, this pair represents the quieter, behind-the-scenes engineering that made the Grateful Dead's live experience unlike anything else in rock.Dimensions: 22.5 x 18 x 26.5 inches each.

Pair of Late-1970s Grateful Dead / Hard Truckers 15-Inch Bass Cabinets

Due to the size and nature of this item, shipping requires custom freight/cartage. ANALOGr will contact you following the auction to arrange shipping logistics and coordinate a custom solution.An 18-inch Zildjian medium crash cymbal played by Grateful Dead drummer Bill Kreutzmann, offered here from the estate of the late Lawrence "Ram Rod" Shurtliff. Kreutzmann's thunderous, intuitive drumming—often interlocking with Mickey Hart in the famous "Rhythm Devils" dual-drum passages—was central to the Grateful Dead's improvisational language for over three decades. This cymbal was part of the physical drumkit that powered that sound, and its provenance through Ram Rod's estate lends it an additional layer of historical authenticity. A piece of the rhythm section, preserved.

Grateful Dead Bill Kreutzmann Medium Crash Zildjian Cymbal — From the Estate of 'Ram Rod' Shurtliff

Estimated shipping costs: $125 (domestic US) / $300 (international). ANALOGr will contact you following the auction with a shipping invoice.A matched pair of White Instruments Series 4303 graphic equalizers (serial numbers 126 and 127), used on stage by the Grateful Dead throughout the 1970s. These rack-mount units—covering the 40Hz to 16kHz frequency range across 3U of rack space—allowed the Dead's audio crew to perform pinpoint frequency adjustments for individual instruments as well as stereo PA and monitor mixes. The consecutively numbered serials confirm they were acquired and deployed as a matched pair by the band's organization. Obtained from the Grateful Dead storage locker of Bill "Kidd" Candelario, their provenance is direct and unimpeachable. White Instruments EQ's were a staple of the Dead's signal chain during the era and appear in numerous archival photographs of their stage rig.

Pair of Grateful Dead Stage-Used 1970s White Instruments Series 4303 19-Inch Equalizers

Due to the size and nature of this item, shipping requires custom freight/cartage. ANALOGr will contact you following the auction to arrange shipping logistics and coordinate a custom solution.A pair of large-format, 4-way speaker main cabinets built by Grateful Dead crew members using Hard Truckers Baltic birch construction. Painted black to minimize visual distraction on stage, each cabinet contains four individual speaker drivers spanning the full frequency spectrum, connected via integrated crossover networks that route each frequency range to its appropriate driver. Banana plug connections on the rear are consistent with the Grateful Dead's custom signal distribution system. These are among the largest Hard Truckers cabinets ever constructed, representing the practical engineering that underpinned the Dead's ambitious live sound.Dimensions: 24 x 19.5 x 35 inches each.

Pair of Large 1970s Hard Truckers 4-Way Speaker Mains (Grateful Dead Related)

Due to the size and nature of this item, shipping requires custom freight/cartage. ANALOGr will contact you following the auction to arrange shipping logistics and coordinate a custom solution.An early example of the Hard Truckers/Alembic collaboration that would go on to define the Grateful Dead's live bass sound, this late-1960s dual 15" ported bass cabinet represents the genesis of an era. Built from Baltic birch with Hard Truckers hardware clips, the cabinet houses two JBL 15" speakers and features both 1/4" and banana plug inputs on the rear—reflecting the evolving signal routing practices of the Dead's audio crew. Mounted on casters for ease of movement across stages, this cabinet is a foundational artifact of the sound system development that would eventually culminate in the Wall of Sound.Dimensions: 15 x 24 x 42 inches.

Hard Truckers / Alembic Late-1960s Dual 15-Inch Ported Bass Cabinet (Grateful Dead Related)

Estimated shipping costs: $75 (domestic US) / $225 (international). ANALOGr will contact you following the auction with a shipping invoice.An extraordinary document of rock history: the original "Wall of Sound" diagram poster drawn by Mary Ann Meyer depicting the Grateful Dead's monumental speaker system as deployed at the Hollywood Bowl on July 21, 1974. The poster has been hand-signed by the Wall of Sound's actual builders and operators—Steve Parish, Joe Winslow, Ron Wickersham, John Meyer, Rick Turner, and John Curl—the engineers and roadies whose collective genius made the system possible. Steve Parish added a handwritten tribute in the top right corner: "On behalf of Mark 'Sparky' Raizene, Bill 'Kidd' Candelario, Larry 'Ramrod' Shurtliff who were largely instrumental in building &amp; operating THE WALL." Accompanying the poster is an original backstage pass from the very same Hollywood Bowl performance on July 21, 1974. Together, this is a rare and historically irreplaceable piece of Grateful Dead and live music history.Dimensions: 17 x 11 inches.

Grateful Dead Wall of Sound Hand-Signed Hollywood Bowl Poster + Original 7/21/74 Backstage Pass

Estimated shipping costs: $40 (domestic US) / $100 (international). ANALOGr will contact you following the auction with a shipping invoice.A set of seven original audio frequency response graphs from the personal archive of John Curl—the legendary audio designer who helped engineer the Grateful Dead's Wall of Sound in 1973. Rendered on period-correct K+E (Keuffel &amp; Esser Co.) Audio Frequency 46 6882 graph paper and measuring 8.5 x 11 inches each, these graphs document the acoustic research and testing that informed the design of the most ambitious live sound system ever built. One graph is hand-signed in pen: "John Curl '73." Obtained directly from Curl at his Berkeley home and archive, this set represents one of the only documented glimpses into the Wall of Sound's developmental process. Curl has since become one of the most respected figures in high-end audio design; his JC2 preamplifier, originally developed for the Wall of Sound, remains in production to this day. Priceless as history; extraordinary as collectibles.

Grateful Dead John Curl Hand-Signed Wall of Sound Audio Frequency Test Graphs, 1973

Estimated shipping costs: $40 (domestic US) / $100 (international). ANALOGr will contact you following the auction with a shipping invoice.Among the rarest items ever offered at Grateful Dead auction: an authentic Owsley "Bear" Stanley autograph on a photograph of the 1974 Wall of Sound at the Hollywood Bowl. Bear—the Dead's legendary sound engineer, financier, and LSD chemist—was famously averse to signing autographs or posing for photographs. His inscriptions are extraordinarily uncommon. This photograph shows the Wall of Sound in full deployment, and Bear's inscription reads: "I MADE THIS! 4 June '07"—a characteristically direct assertion of authorship from the man who, along with the Dead's crew, conceived and realized the most ambitious live sound apparatus in rock history. This is one of the few Bear Stanley autographs ever to appear at public auction.Dimensions: 5 x 4 inches.

Owsley 'Bear' Stanley Hand-Signed Grateful Dead 1974 Wall of Sound Photograph

Estimated shipping costs: $40 (domestic US) / $100 (international). ANALOGr will contact you following the auction with a shipping invoice.A deeply poignant pair of artifacts from one of the most significant nights in Grateful Dead history: the October 20, 1974 concert at Winterland, the final show of the band's legendary Wall of Sound tour—filmed for "The Grateful Dead Movie" and the last performance before the band's extended hiatus. The ticket stub from this show is stamped with the ominous phrase "The Last One," which at the time prompted genuine fear among Deadheads that the band was breaking up permanently. Accompanying the stub is a Maxell 7" reel-to-reel tape recording, preserving the concert on magnetic tape as Deadheads of the era did before digital media existed. Together, these items tell the story of a single night that felt like an ending—and eventually proved to be only a pause.

Grateful Dead 7-Inch Reel-to-Reel Recording + 10/20/1974 'The Last One' Ticketron Ticket Stub

Estimated shipping costs: $40 (domestic US) / $100 (international). ANALOGr will contact you following the auction with a shipping invoice.An exceptionally rare Grateful Dead concert handbill from 1969, featuring the Hell's Angels and drawn by artist Geno Henicki—one of the only known surviving copies of this item. The handbill documents a singular moment in the cultural mythology of the San Francisco rock scene, capturing the complicated and storied relationship between the Grateful Dead and the Hell's Angels motorcycle club during the late 1960s. At a time when handbills were the primary means of announcing underground shows, this fragile paper document survived against the odds to become one of the rarest pieces of Dead memorabilia in existence. For serious collectors of psychedelic-era concert ephemera, this represents a once-in-a-generation acquisition.Dimensions: 7 x 10 inches.

Grateful Dead 1969 Geno Henicki / Hells Angels Handbill

Estimated shipping costs: $75 (domestic US) / $225 (international). ANALOGr will contact you following the auction with a shipping invoice.A luminous piece of psychedelic poster art from the Spring of 1967, this large-format 18 x 18-inch concert poster advertises a three-night run (April 14–16) at The Kaleidoscope in Los Angeles, featuring the Grateful Dead, Jefferson Airplane, and Canned Heat. The poster has been signed by members of Jefferson Airplane, adding a layer of personal connection to an already exceptional artifact. 1967 represented the flowering of the San Francisco psychedelic scene and the birth of the concert poster as an art form, and pieces from this period—particularly from Los Angeles venues—are among the most sought-after in the genre. A beautiful example of the era's visual and musical culture in one.

Grateful Dead / Jefferson Airplane / Canned Heat Pink Kaleidoscope Concert Poster — Signed by Jefferson Airplane

Estimated shipping costs: $75 (domestic US) / $225 (international). ANALOGr will contact you following the auction with a shipping invoice.A remarkable convergence of two of rock's greatest acts, this 17 x 23-inch poster commemorates the legendary Kezar Stadium concert featuring both the Grateful Dead and Led Zeppelin. The poster bears authentic signatures from Led Zeppelin's Robert Plant and John Paul Jones, as well as the signature of Randy Tuten—the acclaimed poster artist who designed the piece and whose work defines the aesthetic of the Bay Area concert scene. Kezar Stadium shows were landmark events in the early 1970s San Francisco rock calendar, and a signed poster from such an event—featuring two of the era's most iconic bands—is an extraordinary collectible for admirers of either act.

Grateful Dead / Led Zeppelin Kezar Stadium Poster — Signed by Robert Plant, John Paul Jones & Randy Tuten

Estimated shipping costs: $500 (domestic US) / $1,500 (international). ANALOGr will contact you following the auction with a shipping invoice.A complete set of seven limited-edition fine art prints reproducing the artwork of Stanley Mouse's iconic "Workingman's Dead" album cover, numbered 163 of 200. Rendered in charcoal pencil on white heavyweight archival bond paper and authenticated with both a Pyramid stamp and Mouse's imprint of authenticity, each print in the set is individually signed and numbered by Mouse—with each signature rendered in a playfully distinct style unique to Mouse's artistic personality. Stanley Mouse, along with Alton Kelley, created much of the Grateful Dead's defining visual identity; his album cover work is inseparable from the music itself. A complete signed set in a limited edition of only 200 is a significant addition to any collection.

Complete Workingman's Dead Lithos 163/200 — Stanley Mouse 

Estimated shipping costs: $75 (domestic US) / $225 (international). ANALOGr will contact you following the auction with a shipping invoice.Two original payment checks issued to Jerry Garcia and Bob Weir for their appearance on "The Late Show with David Letterman," dated February 27, 1992. One check is made out to Garcia, the other to Weir, creating a matched pair that documents a specific, verifiable moment in the careers of two of rock's most enduring figures. As primary artifacts with real financial and biographical significance—bearing the names of Garcia and Weir as payees—these checks occupy a unique category between musical memorabilia and historical document. For collectors who prize items that connect to specific, dateable events, this is a rare find.

Jerry Garcia & Bob Weir 1992 Letterman Show Appearance Checks

Estimated shipping costs: $75 (domestic US) / $225 (international). ANALOGr will contact you following the auction with a shipping invoice.A hand-signed, limited edition offset lithograph titled "Lizard Board" by Jerry Garcia, numbered 139 of 500. Garcia was not only one of the most celebrated guitarists in rock history but also a prolific visual artist whose paintings, drawings, and prints have become highly collectible in their own right. His hand-applied signature on this 17.5 x 18.5-inch print authenticates it as a direct product of Garcia's creative engagement with the visual arts—a side of his artistic personality that many fans are only beginning to fully appreciate. Original Garcia-signed prints from numbered editions are increasingly difficult to find; this example is in excellent condition and represents genuine artistic and collectible value.

Jerry Garcia 'Lizard Board' Signed Limited Edition Offset Lithograph #139/500

Estimated shipping costs: $75 (domestic US) / $225 (international). ANALOGr will contact you following the auction with a shipping invoice.The ultimate trifecta for admirers of what many consider the greatest Grateful Dead concert ever recorded: the May 8, 1977 performance at Barton Hall, Cornell University, Ithaca, New York—a show now enshrined in the Smithsonian Institution's Permanent Recording Collection. This lot contains three items: an original used concert ticket from the 5/8/77 show, an original backstage pass from the same date, and a factory-sealed, New Old Stock copy of the "Get Shown the Light" Deluxe Box Set—the official Grateful Dead Records release featuring four complete shows from May 1977 across 11 CDs, limited to 15,000 copies. For anyone serious about the Grateful Dead's legacy, 5/8/77 is the touchstone. This lot is as close as you can get to having been there.

Grateful Dead 5/8/77 Cornell Concert — Original Ticket, Original Backstage Pass & 'Get Shown the Light' Deluxe 11-CD Box Set

Estimated shipping costs: $75 (domestic US) / $225 (international). ANALOGr will contact you following the auction with a shipping invoice.A supremely rare presentation copy of "The Complete Annotated Grateful Dead Lyrics" by David Dodd, personally inscribed to Tom Stack: "For Tom Stack—Thanks for all the help!" The book comes with two Ex Libris library stamp cards that together carry some of the most significant signatures in Grateful Dead history. Card #228/710 is signed by David Dodd, John Perry Barlow (rare), Bob Weir, Robert Hunter (rare), and illustrator Jim Carpenter. Card #501/710 is signed by David Dodd, John Perry Barlow (rare), Phil Lesh, Robert Hunter (rare), and Jim Carpenter. Barlow and Hunter autographs are exceptionally uncommon on the market; to find both on a single lot—alongside Weir and Lesh—is a genuine rarity. A collector's book elevated by extraordinary provenance.

The Complete Annotated Grateful Dead Lyrics — Inscribed, Signed by Barlow, Weir, Hunter, Lesh & Dodd

Estimated shipping costs: $75 (domestic US) / $225 (international). ANALOGr will contact you following the auction with a shipping invoice.An original 8 x 10 photograph from the sessions or era surrounding the Grateful Dead's 1974 album "From the Mars Hotel," offered from the personal estate of Lawrence "Ram Rod" Shurtliff—the band's revered head roadie for nearly four decades. Items from Ram Rod's estate carry a deeply personal provenance: these are objects that passed through the hands of a man who was present for the full arc of the Grateful Dead's story, from their earliest days through the final years. As a framed archival photograph with direct Dead family lineage, this piece is equally suited to display or to archival collection.

Grateful Dead Original Mars Hotel Framed Photograph — From the Estate of 'Ram Rod' Shurtliff

Estimated shipping costs: $75 (domestic US) / $225 (international). ANALOGr will contact you following the auction with a shipping invoice.An original piece of Grateful Dead visual art by Stanley Mouse, featuring his iconic wings-and-lettering design—hand-signed by the artist himself. Mouse, alongside Alton Kelley, created some of the most enduring imagery in rock history; his skull-and-roses motifs, lightning-bolt typography, and intricate pen-and-ink work are inseparable from the Grateful Dead's identity. This 11.5 x 9-inch original work is not a reproduction but an authentic signed piece from Mouse's hand, a rare opportunity to acquire a genuine artifact of the psychedelic poster art canon directly linked to the Dead's visual universe.

Grateful Dead Stanley Mouse Original Wings & Lettering Artwork — Signed by Mouse

Due to the size and nature of this item, shipping requires custom freight/cartage. ANALOGr will contact you following the auction to arrange shipping logistics and coordinate a custom solution.An official Grateful Dead DARKSTAR branded pair of downhill slalom skis—branded as a "Gravity Control Device"—representing the Dead's foray into licensed merchandise beyond the typical music and apparel categories. Constructed with Lamniwrap technology, Kevlar reinforcement, and a Multisint base, these skis were designed by Not Fade Away Graphics and are labeled MADE IN USA with a "Radical Slalom Sidecut" geometry. Never used and stored in their original wrapping, they have spent years in a barn and the edges will require sharpening; one ski has a slight tail delamination. A genuinely unusual collectible at the intersection of the Grateful Dead's brand identity and 1980s ski culture. For the Deadhead who has everything—except these.

Grateful Dead DARKSTAR Downhill Slalom Skis — 'Gravity Control Device'

Estimated shipping costs: $125 (domestic US) / $300 (international). ANALOGr will contact you following the auction with a shipping invoice.An original 11 x 11-inch artwork by Stanley Mouse created for the Grateful Dead's 1980 album "Go to Heaven," hand-signed by Mouse. The "Go to Heaven" record and its accompanying visual identity occupy a distinctive place in Dead mythology—its imagery was controversial and playful in equal measure, and Mouse's visual contribution remains a conversation piece to this day. As a signed original from Mouse's own hand—not a print, poster, or reproduction—this piece occupies a premium tier of Grateful Dead visual memorabilia. Stanley Mouse's contributions to the band's artistic identity are foundational, and signed originals from specific album campaigns are exceptionally rare on the open market.

Grateful Dead 'Go to Heaven' Original Artwork by Stanley Mouse — Signed 

Estimated shipping costs: $75 (domestic US) / $225 (international). ANALOGr will contact you following the auction with a shipping invoice.A signed and silk-screened limited edition poster by Stanley Mouse created for the annual Rock Poster Expo held in San Francisco, depicting his signature skeletal imagery in beautifully detailed pen-and-ink work. The poster carries a printed Mouse signature on the right side, and Mouse personally signed the left side at the show—where Tom Stack purchased it directly from the artist, making this a piece with direct, first-hand ownership provenance. Now 31 years old, this large-format poster (26 x 34 inches) has been personally held by one owner since acquisition. A celebration of San Francisco rock art culture by one of its greatest practitioners, available to a new home for the first time.

Wall of Sound: A Living History of the Grateful Dead — Instruments, Artifacts & Ephemera