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Ornette ColemanChange of the Century LP [signed]London: London Atlantic, 1961. 12-in. vinyl record in sleeve, signed in green marker by Ornette Coleman and Don Cherry. 12 x 12 in. Record and sleeve in used condition.Jazz saxophonist Ornette Coleman’s fourth studio album, Change of the Century, helped establish the genre of free jazz. Copy signed by Coleman and trumpeter Don Cherry, who performed on the album.Cherry began playing with Coleman’s quartet in the late 1950s. His cornet and pocket trumpet performances can be heard on some of Coleman’s most influential early recordings, including this album as well as 1959’s The Shape of Jazz to Come and the genre-defining 1961 album Free Jazz.Condition as described in catalogue note. For further information on the condition of this lot please email <a target="_blank" rel="noopener noreferrer nofollow" href="mailto:info@boo-hooray.com">info@boo-hooray.com</a>. All lots are sold on an "as is" basis at the time of sale. Images form a part of the condition description for each lot, though images online may represent hues and shades which differ from the actual item.

Ornette Coleman – Change of the Century, signed

A nice little crate, with a few real rarities in excellent condition, along with Impulse! art proofs, and a signed copy of Milton Glaser's famous Dylan poster.

Joy de Vivre [Crass]Our Wedding [Two Crass records, black and white editions][London]: Creative Recording and Sound Services, 1981. Two 7" flexi discs. 7 1/8 x 7 1/2 in. Used condition.Both black and white editions of Crass' prank 7" "Our Wedding," released under the name Joy de Vivre in the magazine Loving, a publication aimed at teenage girls of a romantic bent.The song "Our Wedding" was Crass' reworking of their song "Lipstick On Your Penis," which was to be the closer of their album Penis Envy. Lipstick, however, was so heavily based on the old standard "Lipstick On Your Collar," that they needed to rework it completely. The result was "Our Wedding," a parody song that sung so purely and banally about marriage that the teenage love magazine welcomed it with open arms.Condition as described in catalogue note. For further information on the condition of this lot please email <a target="_blank" rel="noopener noreferrer nofollow" href="mailto:info@boo-hooray.com">info@boo-hooray.com</a>. All lots are sold on an "as is" basis at the time of sale. Images form a part of the condition description for each lot, though images online may represent hues and shades which differ from the actual item.

Joy de Vivre [Crass] – Our Wedding

Patti Smith Group“Gloria / My Generation” 7'' singles collectionNew York/Italy/France: Arista Records, 1976. Four 7-in. vinyl records in sleeves, two signed in marker in the hand of Patti Smith. 7 x 7 in. Records and sleeves in used condition.Four copies of Patti Smith’s 7-inch single “Gloria” b/w “My Generation,” including two signed on the sleeve by Smith. Includes two US releases (both signed), one French release, and one Italian release.This single off Smith’s debut album Horses was released by Arista Records in 1976 with “Gloria” on the A-side and a cover of The Who’s “My Generation,” recorded live in Cleveland, on the B-side.Condition as described in catalogue note. For further information on the condition of this lot please email <a target="_blank" rel="noopener noreferrer nofollow" href="mailto:info@boo-hooray.com">info@boo-hooray.com</a>. All lots are sold on an "as is" basis at the time of sale. Images form a part of the condition description for each lot, though images online may represent hues and shades which differ from the actual item.

Patti Smith – Gloria / My Generation 7'' collection

Bob Dylan. Milton GlaserBob Dylan Greatest Hits LP, with an original, signed copy of the Glaser posterNew York: Columbia Records, [1967]. 12-in vinyl record in sleeve; includes original poster as issued, here signed in multi-colored crayon by Milton Glaser. Record: 12 x 12 in. Poster: 33 x 22 in., folded as issued with a small closed tear at bottom edge repaired with tape on verso.The first compilation album of songs by Bob Dylan, including original “psychedelic Dylan” poster designed by Milton Glaser.Endlessly reproduced, Glaser’s poster of a silhouetted Dylan with a mop of wavy, rainbow hair, is one of the most famous rock ‘n roll posters of all time. This copy is signed by Glaser in multi-colored crayon, mimicking the musician’s colorful locks as depicted in the image. While the poster is ubiquitous, signed copies are extremely rare.Condition as described in catalogue note. For further information on the condition of this lot please email <a target="_blank" rel="noopener noreferrer nofollow" href="mailto:info@boo-hooray.com">info@boo-hooray.com</a>. All lots are sold on an "as is" basis at the time of sale. Images form a part of the condition description for each lot, though images online may represent hues and shades which differ from the actual item.

Bob Dylan, Milton Glaser — Greatest Hits, with an original, signed copy of the Glaser poster

[Archie Shepp]Four for Trane LP cover art proofNew York: Impulse!, [1965]. Offset. One sheet, 12 x 12 in. Matted, framed, and glazed to 17 x 17 in.Art proof for Archie Shepp's first record with Impulse!, Four for Trane. The saxophonist spent months trying to contact Impulse! producer Bob Thiele, but it was ultimately through Coltrane's intervention that the record got made. Shepp said of the recording: "When we did the Four for Trane date, it went down almost take by take, because we had rehearsed nightly for months. After the third song, Bob, who had been really terribly rude at the beginning, smoking his pipe like a chimney, he brightened up a bit, sat down and said, 'I've got to call John and tell him this stuff is great.' He said, 'John, you got to come out and hear this!' Well, Coltrane already knew. He had been listening to this stuff for the last couple of years because the avant-garde was all around New York... John was very gracious. He drove out from his home in Long Island to Englewood, at about eleven o'clock at night. I assumed he got out of his bed, because when we took that photo they put on the album cover [he was] with no socks, you know."

[Archie Shepp] — Four for Trane LP cover art proof

[Coleman Hawkins]Desafinado LP cover art proofNew York: Impulse!, [1962]. Offset. 12 x 12 in. Matted, framed, and glazed to 17 x 17 in.LP cover art proof for Coleman Hawkins' record Desafinado, his first and only Bossa Nova album. The cover was designed by Robert Flynn, and featured a photograph by Jack Bradley, Louis Armstrong's personal photographer. The LP was recorded at a pivotal point for Impulse!, as Bob Thiele had just replaced its founder, Creed Taylor. In 1962, as the label began attracting the new jazz revolutionaries, they still recorded old masters like Hawkins.

[Coleman Hawkins] — Desafinado LP cover art proof

[Coleman Hawkins]Wrapped Tight LP cover art proofNew York: Impulse!, [1965]. Offset. One sheet, 12 x 12 in. Matted, framed, and glazed to 17 x 17 in.Cover art proof for Coleman Hawkins' record Wrapped Tight. The album was recorded at the tail end of Hawkins' nearly 40-year career, and was his penultimate record.

[Coleman Hawkins] — Wrapped Tight LP cover art proof

[Lawrence Brown's All-Stars with Johnny Hodges]Inspired Abandon LP cover art proofNew York: Impulse!, [1965]. Offset. 12 x 12 in. Matted, framed, and glazed to 17 x 17 in.Cover art proof for Lawrence Brown and Johnny Hodges' record Inspired Abandon. Designed by Robert Flynn, who designed nearly all of Impulse's records between 1960 and 1969, with a photograph by Chuck Stewart, prolific jazz photographer.

Ornette Coleman – Change of the Century, signed

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