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Lawrence WeinerLawrence Weiner at Centre D'art Contemporain, 1980Geneva: Centre d’art Contemporain, 1980. Offset. 14 ¾ x 8 in.Poster for a show by Lawrence Weiner at the Centre d’art Contemporain in Geneva on Sept 16, 1980. Features text: "The response of an object to lead to a change in inherent quality (vis intertiae)."Condition as described in catalogue note. For further information on the condition of this lot please email <a target="_blank" rel="noopener noreferrer nofollow" href="mailto:info@boo-hooray.com">info@boo-hooray.com</a>. All lots are sold on an "as is" basis at the time of sale. Images form a part of the condition description for each lot, though images online may represent hues and shades which differ from the actual item.

Lawrence Weiner at Centre D'art Contemporain, 1980

Featuring the genuinely rare, historically significant, delightfully shocking, and just plain good.

EWK [Ewert Karlsson]Eje Thelin Group at Moderna Museet[Stockholm]: Moderna Museet, [1976]. Offset. 39 ¼ x 27 ½ in. Several small closed tears at edges, some repaired with tape on verso.Poster for a performance by Swedish free jazz ensemble the Eje Thelin Group at Stockholm’s Moderna Museet on June 23, 1976. This live performance was recorded and released as a record the following year.This poster was designed by Swedish illustrator and political cartoonist, Ewert Karlsson.Condition as described in catalogue note. For further information on the condition of this lot please email <a target="_blank" rel="noopener noreferrer nofollow" href="mailto:info@boo-hooray.com">info@boo-hooray.com</a>. All lots are sold on an "as is" basis at the time of sale. Images form a part of the condition description for each lot, though images online may represent hues and shades which differ from the actual item.

EWK [Ewert Karlsson] — Eje Thelin Group at Moderna Museet

The Fruit of the Original SinAlain GoffinBelgium: Les Disques du Crepuscule, 1981. Offset on glossy paper. 23 3/4 x 16 1/4 in. Clean example, with light bumping to edges.Les Disques du Crespuscule is a Belgian record company that was closely associated with Factory Records and Le Plan K, the Belgian Theatre troupe and venue which hosted multimedia shows with Joy Division and William Burroughs, among others. The compilation double LP this poster advertises, The Fruit of Original Sin, subtitled "A musical extravaganza waged somewhere in your mind," features work by Viriginia Astley, W.S. Burroughs, DNA, Marguerite Duras, The Durutti Column, Peter Gordon, Arthur Russell, and more.Condition as described in catalogue note. For further information on the condition of this lot please email <a target="_blank" rel="noopener noreferrer nofollow" href="mailto:info@boo-hooray.com">info@boo-hooray.com</a>. All lots are sold on an "as is" basis at the time of sale. Images form a part of the condition description for each lot, though images online may represent hues and shades which differ from the actual item.

The Fruit of the Original Sin

All the Meat You Can Eat - A Show of Photographs Selected by Stephen Shore poster [addressed and postmarked to Jonas Mekas]New York: The 98 Greene Street Loft, 1971. Offset with holograph amendment, and postage and stamp on verso, addressed in holograph to "Mr. Jonas Mekas / 222 W. 23rd St. / New York, N.Y." Clean example; with lines from folding into mailer, light bumping to edges, and a piece of tape on the reverse side of the top edge from its use as a mailer.Poster promoting the opening of "All The Meat You Can Eat," a show of photographs selected by Stephen Shore at the 98 Greene Street Loft.Stephen Shore is a prodigious photographer who emerged in the 1970s as one of the major exponents of color photography, shooting bleak yet lyrical scenes of the North American landscape. Documenting everyday settings and objects, from hotel swimming pools and televisions to parking lots, gas stations, and deserted roads, Shore exhibited an ability to transform commonplace surroundings into compelling works of art, working with a subject matter similar to Walker Evans.This is a humorous document of Stephen Shore's early research in photography. For his 2017 exhibition at MoMA, he wrote that he "was interested in the vernacular uses of photography and had been collecting post cards and police photographs and pornography and snap shots. I was just fascinated by how photography was used [...] in the meaning conveyed by how it was used—that we see a snapshot differently than we see an art photograph, that we see an advertisement differently than we see a postcard. And the idea behind this show was to juxtapose a huge range of work coming from different places."Most of the postcards and snapshots were in color, which led him to begin examining color photography, later so integral to his innovations in photography.An extraordinary document of an artist's development.Condition as described in catalogue note. For further information on the condition of this lot please email <a target="_blank" rel="noopener noreferrer nofollow" href="mailto:info@boo-hooray.com">info@boo-hooray.com</a>. All lots are sold on an "as is" basis at the time of sale. Images form a part of the condition description for each lot, though images online may represent hues and shades which differ from the actual item.

All the Meat You Can Eat - A Show of Photographs Selected by Stephen Shore poster [addressed and postmarked to Jonas Mekas]

Keith Haring Pop Shop bagKeith HaringNew York: Keith Haring, [1986]. Silkscreened vinyl bag. 19 x 16 3/4 in. Discoloration and cockling from age; a clean example.Original Keith Haring Pop Shop bag designed &amp; illustrated by the artist. Features an original Haring artwork on each side of the bag.Condition as described in catalogue note. For further information on the condition of this lot please email <a target="_blank" rel="noopener noreferrer nofollow" href="mailto:info@boo-hooray.com">info@boo-hooray.com</a>. All lots are sold on an "as is" basis at the time of sale. Images form a part of the condition description for each lot, though images online may represent hues and shades which differ from the actual item.

Pop Shop

Een BOEK voor iederen [A Book For Everyone]Np: np, [ca. 1970s.] Offset. 19 1/2 x 13 3/4 in. Light bumping to corners.Vintage poster promoting literacy and a book for everyone.Condition as described in catalogue note. For further information on the condition of this lot please email <a target="_blank" rel="noopener noreferrer nofollow" href="mailto:info@boo-hooray.com">info@boo-hooray.com</a>. All lots are sold on an "as is" basis at the time of sale. Images form a part of the condition description for each lot, though images online may represent hues and shades which differ from the actual item.

Een BOEK voor iederen [A Book For Everyone]

Aldo CampanozziIncontro di Poesia [Allen Ginsberg, Gregory Corso, Julian Beck]Italy: C.P.S. – A. RCI Nazionale, 1979. Offset. 27 1/2 x 19 1/2 in. A very clean copy.Allen Ginsberg rides a toy horse through successive windows, across which clouds barely obscure an endless plain of checkerboard patterns leading into the far-off sky. This beautifully designed poster for “Incontro di Poesia ’79,” or “Meeting of Poetry ’79,” which featured readings by Allen Ginsberg, Gregory Corso, Fernanda Pivano, Julian Beck, and Judith Malina.Condition as described in catalogue note. For further information on the condition of this lot please email <a target="_blank" rel="noopener noreferrer nofollow" href="mailto:info@boo-hooray.com">info@boo-hooray.com</a>. All lots are sold on an "as is" basis at the time of sale. Images form a part of the condition description for each lot, though images online may represent hues and shades which differ from the actual item.

Incontro di Poesia (With Allen Ginsberg and Gregory Corso)

[Giò Tavaglione]Movimento Mondo Beat posterMilan: ED.912 Edizioni di Cultura Contemporanea, 1967. Offset. 28 x 19 ½ in. Two closed tears at top edge repaired with tape on verso.&nbsp;Poster designed by Giorgio “Giò” Tavaglione, one of the best-known artists of the Italian Beat movement, and published by the avant-garde publishing house, ED.912. Printed in an edition of 500.This poster was the seventh in ED.912’s 1967 “No.” series. Influenced by the American Beat generation, the Dutch Provos, and the homegrown Italian anarchist movement, the movimento beat came to describe a widespread countercultural and protest movement that swept 1960s Italy. The movement’s key ideas—pacifism, conscious objection, free love, communitarianism, and a critique of traditional politics—were publicized in Mondo Beat, Italy’s most significant underground magazine of the period.Condition as described in catalogue note. For further information on the condition of this lot please email <a target="_blank" rel="noopener noreferrer nofollow" href="mailto:info@boo-hooray.com">info@boo-hooray.com</a>. All lots are sold on an "as is" basis at the time of sale. Images form a part of the condition description for each lot, though images online may represent hues and shades which differ from the actual item.

Giò Tavaglione — Movimento Mondo Beat poster

In the Name of All Women [Audre Lorde, Alice Walker, Diane di Prima]Los Angeles: Woman’s Building / Deena Metzger, 1976. Offset. 8 3/4 x 22 1/2 in. Bumping at foldline and at corners, light edgewear, adhesive residue on top corners; else very good.Poster promoting a series of weekly readings by women writers Alice Walker, Judy Grahn, Audre Lorde, Diane Di Prima, Deena Metzger, Rochelle Holt, and Courtenay Graham, coordinated by Deena Metzger.“In the Name of All Women” is the title of the acceptance speech for the 1975 National Book Award. That year, three women poets—Audre Lorde, Adrienne Rich, and Alice Walker—were each nominated for the Award, and they decided that whoever won would accept it on behalf of all of them and of all women.Condition as described in catalogue note. For further information on the condition of this lot please email <a target="_blank" rel="noopener noreferrer nofollow" href="mailto:info@boo-hooray.com">info@boo-hooray.com</a>. All lots are sold on an "as is" basis at the time of sale. Images form a part of the condition description for each lot, though images online may represent hues and shades which differ from the actual item.

Lawrence Weiner at Centre D'art Contemporain, 1980

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